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Ten Years Later, ‘I Am Legend’ Director Gets Honest About the Film

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The 10 year anniversary of director Francis Lawrence’s I Am Legend just passed in December, the Will Smith-starring film of course an adaptation of Richard Matheson’s same-named novella. The film was a smash hit at the box office, raking in $585 million worldwide, but what does Lawrence think about his work, ten years later?

Distance always helps to bring honest clarity, and in a chat with Screen Rant this week, Lawrence opened up about the approach he *wishes* he had taken to the adaptation.

Looking back at it now, I think that we could have just done basically the story of the novella straight up and made the same amount of money in terms of ticket sales because people went I think for the last man on earth,” Lawrence told the site. “They would have accepted the nihilistic ending, they would have accepted vampires instead of people with infections.”

He continued, “We could have literally made the book, which I would have been much happier with, but you know when you’re spending that much money you’re panicking that you’re making this weird little kind of art film about a guy alone with a dog in New York and you’re trying to you know sort of create that spectacle.”

What Lawrence is essentially saying here is that, in hindsight, he wishes he had gone smaller with the 2007 adaptation. The pressure to turn the novella into a massive Hollywood tentpole seems to have dictated most of the creative decisions that were made on the project, which Lawrence doesn’t seem too thrilled about.

Reading Lawrence’s comments on I Am Legend, I can’t help but think about what Universal was attempting to do with their monster-filled Dark Universe. While most horror fans have been begging for smaller, scarier monster movies, Universal has been aiming for four-quadrant blockbusters, which hasn’t been turning out so well for them.

There’s something to be said for “weird little kind of art films,” as Lawrence describes. After all, think about what Universal would’ve done with Creature from the Black Lagoon. And then look at what Guillermo del Toro did with it for his own The Shape of Water.

Take notes, Universal. Please take notes.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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