Movies
New Shot of Martin Freeman Carrying a Precious ‘Cargo’ Away From a Pandemic
Martin Freeman (The Hobbit, Captain America: Civil War, “Sherlock”) stars in Yolanda Ramke and Ben Howling’s forthcoming UK zombie pandemic thriller Cargo as “…a father who, stranded in rural Australia in the aftermath of a violent pandemic and, infected himself, desperately seeks a new home for his infant child and a means to protect her from his own changing nature.” An updated synopsis also adds that “Salvation may lie with an isolated Aboriginal tribe, but to gain access he must first earn the allegiance of a young Indigenous girl on a tragic quest of her own.”
In addition to the above new still, Bloody Disgusting previously shared the first clip that shows Freeman with his daughter walking across the gorgeous landscape.
Anthony Hayes, Susie Porter, Caren Pistorius, Kris McQuade, Simone Landers, and David Gulpilil also star.
Cargo is being produced by Kristina Ceyton, who produced 2014’s critically acclaimed psychological horror film The Babadook.
The thriller is now completed and will be opening internationally this coming May.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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