Movies
New Image Teases the Arrival of King Ghidorah in ‘Godzilla: King of the Monsters’
The Michael Dougherty-directed Godzilla: King of the Monsters arrives on the big screen next May, and we’ve got a new image for you today that teases King Ghidorah.
Shown off by Total Film, the still image is actually of Ghidorah’s foot, which gives us an idea of just how massive the three-headed beast really is. You can check it out below.
According to the magazine, Toho signed off on/approved all the monster designs in next year’s film, and they also note that Dougherty stayed true to their classic looks.
The sequel takes place five years after the events in the first film…
“When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.”
Zhang Ziyi, Kyle Chandler, Vera Farmiga, Millie Bobby Brown, O’Shea Jackson Jr., Bradley Whitford, Ken Watanabe, Thomas Middleditch, Charles Dance and Aisha Hinds star.
Dougherty directed from a script he wrote with Zach Shields.
Godzilla returns on May 31, 2019.
Movies
Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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