Movies
Sylvester Stallone Vows That He Will Eventually Finish the Script for His Edgar Allan Poe Biopic
Very early in his career, one of the first scripts Sylvester Stallone wrote was a biopic about the life and career of Edgar Allan Poe, and Stallone had even once considered playing Poe in the movie. Ultimately, he realized he was just wasn’t right for the part, but all these years later, the biopic (simply titled Poe) still remains one of Stallone’s dream projects.
In a recent Instagram video, Stallone vowed to one day finish the long-gestating script.
“It’s a never-ending journey, and I would hate myself if I don’t continue it at least to the best of my ability and try to see it, actually, come to fruition,” Stallone vowed. “To be able to go out there and say, ‘I accomplished it. It may have taken 45 years/50 years, but it’s done.’ Anyway. That’s what I’m working on. It’s been one of the great challenges of my life.”
You can check out the video below, along with an old test photo of Stallone in a Poe costume!
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It’s a long road to reach your goals but it’s definitely worth the journey…
Movies
Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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