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Ari Aster Says ‘Midsommar’ is “Something of a Companion” to ‘Hereditary’

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To be clear, Midsommar doesn’t look to be set in the same world as Hereditary, but in a new chat with Indiewire, Ari Aster does at least touch upon the shared similarities between his debut feature and his upcoming follow-up. Just don’t go in expecting Paimon to show up…

There’s nothing as explicit as [worshipping King Paimon],” Aster said of this year’s film. “There’s no Paimon involved. But I would say that the film is something of a companion to ‘Hereditary, although the similarities didn’t really occur to me until we were on set.”

Thematic ties became apparent to me. But nothing so overt as Paimon worshipping.

Aster continued, “I would say Hereditary absolutely was a horror film, unabashedly, and this film is, I am very careful to call it an adult fairy tale. That’s what this is. This is an adult contemporary fairy tale.”

Aster’s new film stars Jack Reynor, Will Poulter and Florence Pugh with Vilhem Blomgren, William Jackson Harper, Ellora Torchia and Archie Madekwe.

“Pugh and Reynor will play a couple that travels to Sweden to visit their friend’s rural hometown for its fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.”

A24 will release Midsommar on July 3.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘She Loved Blossoms More’ – Wild First Look at Tribeca Movie Enters a Psychedelic Hellscape

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One of the genre films set to premiere at the Tribeca Film Festival in June is the sci-fi/drama She Loved Blossoms More, and a bonkers first-look photo has arrived this week (above).

Additionally, Variety reports this afternoon that Yellow Veil Pictures has secured world sales on She Loved Blossoms More, billed as a “family drama in science fiction disguise.”

In the film, “three brothers build an unusual time-machine in order to bring their long-dead mother back to life. When their delusional father comes into the picture, the experiments go awry, and they descend into a psychedelic hellscape where the past and present fuse in a comedic yet deeply disturbing exploration of grief.”

Yannis Veslemes directed the film and co-wrote with Dimitris Emmanouilidis.

Veslemes said in a statement shared by Variety, “[She Loved Blossoms More is] a ballad for the defeated, a comedy for the accursed, a moral tale for us all and our beloved families.”

She Loved Blossoms More is the first film we’ve onboarded at script stage, and it’s been quite amazing to see it come alive,” said Hugues Barbier of Yellow Veil Pictures. “We couldn’t be more proud of Yannis’ vision and the amazing team he has around him. Blossoms is an emotional thrill ride and a calling card for one of the most exciting new filmmakers.”

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