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Guillermo del Toro Explains the Smart Reason Why ‘Scary Stories to Tell in the Dark’ Isn’t an Anthology

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Rather than individually adapting the tales from Alvin Schwartz’s Scary Stories to Tell in the Dark books, this year’s Andre Ovredal-directed film is taking an approach similar to the Goosebumps movie by unleashing several of the most iconic monsters and stories from the books all at once. In other words, it’s *not* an anthology, and producer Guillermo del Toro explained the simple – and smart – reason why during the film’s San Diego Comic-Con panel.

When we started talking about this about five years ago, I had to think about it,” del Toro told the SDCC crowd over the weekend. “Anthology films are always as bad as the worst story in them — they’re never as good as the best story.”

In other words, del Toro didn’t want to set the film up for failure by taking the expected anthology approach; and oddly enough, it was Pan’s Labyrinth that helped him crack the plot.

Del Toro explained, “Then I remembered in ‘Pan’s Labyrinth,’ I created a book called the Book of Crossroads. I thought it could be great if we had a book that reads you, and it writes what you’re most afraid of. Then the theme became stories we tell each other.”

In Scary Stories to Tell in the Dark, “It’s 1968 in America. Change is blowing in the wind…but seemingly far removed from the unrest in the cities is the small town of Mill Valley where for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome.”

The stories come to life on August 9th, 2019.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has two awesome cats. Still plays with toys.

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Movies

Ari Aster Reveals That He Wrote a Prequel to ‘Hereditary’

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It’s been eight years since Ari Aster came onto the scene and helped usher in a new wave of horror with Hereditary, one of the rare horror movies from the past ten years that still seems to come up in conversation every single week. And it’s back in the conversation this week, with Ari Aster revealing at an event that he’s already written a prequel to Hereditary!

Ari Aster was on hand at the American Cinematheque for Bleak Week: Cinema of Despair last week, a Los Angeles festival that screened all of Aster’s movies to date. The website Gold Derby reports that Aster revealed the Hereditary prequel script during a Q&A at the event, and you can watch the full Q&A conversation below for confirmation on the website’s report.

I wrote a prequel to this,” Aster told the crowd, referring to Hereditary. “It never feels like the right time to do it. It’s a prequel, not a sequel so I don’t know where this goes.”

Would a potential Hereditary prequel dig deeper into the mythology of demon king Paimon? Unfortunately, Aster provides no further details on his prequel approach at this time.

Aster said of Hereditary during the same Q&A, “I was just trying to make a really good horror movie.” I think most horror fans would agree that he more than accomplished that goal, and the past eight years have proven that Hereditary is an enduring classic of its generation.

We celebrated the fifth anniversary of Hereditary here on BD back in 2023.

Ron Breton wrote, “Hereditary offers a similar emotional resonance to this new generation of horror – my generation of horror– as movie-goers in the seventies when they first saw Exorcist. Much like Aster’s film, we see the incomprehensible evil wear the face of a young girl; the victim of a raw deal she had no say in, as it tears a family to its core. Sure, both films offer so many terrifying visuals that can make the hair stand up on anyone’s neck – but it also depicts intense relationships and emotions that are tangible. Real. Familiar.”

“In that familiarity lies the uncanny, ready to rear its ugly head and force us to confront thoughts and horrors laying dormant and clawing at our psyche,” Breton continued his 5th anniversary celebration of Hereditary. “And it doesn’t matter if it’s been five or fifty years. These horrors are always there, as we become pawns in its horrible, hopeless machine.”

Toni Collette, Gabriel Byrne, Alex Wolff, Ann Dowd, and Milly Shapiro star in Hereditary. In the film, “A grieving family is haunted by tragic and disturbing occurrences.”

That’s putting it mildly, eh?!

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