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Guillermo del Toro Explains One of the Things That’ll Make His ‘Pinocchio’ Film So Different

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We learned last year that Guillermo del Toro is going to be directing a stop motion animated Pinocchio film, a longtime passion project for del Toro that’s finally coming to life in the near future. Del Toro will write, produce and direct a brand new version of the classic children’s tale about a puppet who wants to be a real live boy, based on Gris Grimly‘s designs.

As you’d probably expect, del Toro’s Pinocchio will be quite unlike past tellings of the tale – including Carlo Collodi’s original children’s novel and Disney’s animated classic.

“The film will be set in Italy during the ’30s, a particularly fraught historical moment and a time when Fascism was on the rise and Benito Mussolini was consolidating control of the country.”

Speaking with Variety this week, del Toro touched on one of the key differences he’s bringing to the table. He explained, “To me, Pinocchio, very much like Frankenstein, is a blank canvas in which learning the curve of what the world is and what being human is are very attractive to do as a story. I’m very attracted to it because, thematically — and I don’t want to spoil what the movie’s about — it’s about something that is in all of my movies, which is choice. That’s a theme that is very dear to my heart.”

Del Toro continued, I think [earlier versions of] the story, and Collodi’s in particular, are very repressive. It’s essentially a very brutalist fable about what a sin disobedience is. And I think disobedience is the beginning of the will, and the beginning of choice. … I think there’s something that’s very attractive about seeing disobedience as a virtue, or as the beginning of a virtue.”

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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Jessica Rothe Keeps the Hope Alive for Third ‘Happy Death Day’ Movie

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It’s now been five years since the release of sequel Happy Death Day 2U, Christopher Landon’s sequel to the Groundhog Day-style slasher movie from 2017. Both films star Jessica Rothe as final girl Tree Gelbman, and director Christopher Landon had been planning on bringing the character – and the actor – back for a third installment. So… where is it?!

We’ve been talking about a potential Happy Death Day 3 for several years now, with the ball in producer Jason Blum’s court. Happy Death Day 2U scared up $64 million at the worldwide box office, a far cry from the first film’s $125 million. But with a reported production budget of just $9 million, that first sequel was profitable for Blumhouse. So again… where is it?!

Chatting with Screen Geek this week while promoting her new action-thriller Boy Kills World, franchise star Jessica Rothe provided a hopeful update on Happy Death Day 3.

Well, I can say Chris Landon has the whole thing figured out,” Rothe explains. “We just need to wait for Blumhouse and Universal to get their ducks in a row.

Rothe continues in her comments to Screen Geek, “But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

Back in 2020, Christopher Landon had revealed that the working title for the third installment was Happy Death Day to Us, said to be “different than the other two films.”

In the meantime, Christopher Landon is directing a mysterious thriller titled Drop for Blumhouse and Platinum Dunes, along with a werewolf movie titled Big Bad for Lionsgate.

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