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Nicholas Galitzine Joins the Cast of Blumhouse’s Remake of ‘The Craft’

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Zoe Lister-Jones is writing and directing a new take on 1996’s The Craft for Blumhouse, with Cailee Spaeny (Pacific Rim: Uprising), Gideon Adlon (“The Society”), Lovie Simone (Selah & the Spades) and Zoey Luna (15: A Quinceañera Story) set to star as the main characters. Deadline reports today that Nicholas Galitzine (“Chambers”) has also joined the cast.

“The original, led by Robin Tunney, Fairuza Balk, Neve Campbell, Christine Taylor, and Rachel True, followed a newcomer at a Catholic prep high school who falls in with a trio of outcast teenage girls who practice witchcraft, and wage curses against those who tick them off.”

The remake comes from Blumhouse and Columbia Pictures. Andrew Fleming, who co-wrote and directed the original film, is on board to executive produce the remake.

Jason Blum, Douglas Wick and Lucy Fisher are producing.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has two awesome cats. Still plays with toys.

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‘Brine’ – Jennifer Holland Starring in Supernatural Civil War Thriller

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Pictured: Jennifer Holland in 'Peacemaker'

Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.

B.J. Golnick (“Hunting Hitler”) will be directing Brine.

Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.

When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.

Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.

Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.

“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”

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