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Huge ‘Friday the 13th’ Legal Decision Likely to Be Made Next Year

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Ever since a judge ruled last year that Friday the 13th screenwriter Victor Miller is the sole owner of the original screenplay (in the US, at least), Friday director Sean Cunningham has been working to have the decision reversed. The argument continues to be that Miller wrote the screenplay as a “work-for-hire,” and therefore never should’ve been able to gain rights to the screenplay in the first place. While the trial judge had ruled that the rights go to Miller after all these years under the Copyright Act’s termination right, which allows authors to regain rights to work they signed over to a company, Cunningham and Horror Inc. are hoping that the Second Circuit Court of Appeals will reverse that decision in the coming months.

Copyright lawyer/Friday the 13th Part III star Larry Zerner provides us with the latest update on the legal mess this week, suggesting a *potential* resolution in mid-2020.

Zerner tweets, “The 2nd Circuit Court of Appeals has proposed oral arguments for the week of February 10th, 2020. This means there will probably be a decision by June 2020.”

The Second Circuit will be deciding if Miller will keep the rights to the Friday screenplay, as decided last year, or if they’ll revert back to Cunningham/Horror Inc. Mind you, there’ll still be a whole lot to be worked through before Jason can return to the screen, no matter the decision, but this is one massive legal hurdle that *needs* to be resolved first and foremost.

Needless to say, new movies cannot and will not be made until everything is figured out. And the legal issues have been impacting everything from video games to toys as well.

For all the latest updates, be sure to follow @Zernerlaw and @LarryZerner on Twitter.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has two awesome cats. Still plays with toys.

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‘Strange Journey: The Story of Rocky Horror’ Review – The Definitive Rocky Horror Documentary

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You can’t force a cultural phenomenon. At the end of the day, it’s the audience who decides what is and isn’t remembered, and all artists can do is try their best to express themselves honestly enough that their work might eventually connect with a certain crowd. As it stands, the gold standard for a cult hit that grew into something much larger than its creators could have anticipated due to fan involvement happens to be The Rocky Horror Picture Show.

A musical love-letter to the b-movies of yesteryear that also inspired generations of LGBTQ+ inclusive fan communities around the world, both the film and the original stage musical boast an ongoing legacy that shows no sign of slowing down decades down the line In honor of the 50th anniversary of the original film’s relaunch as a midnight movie that cemented it as a perpetual big screen hit, Linus O’Brien, son of Richard O’Brien, the creator of Rocky Horror and actor behind the fan-favorite Riff Raff, presents fans with his long-awaited documentary: Strange Journey: The Story of Rocky Horror.

Of course, you might be wondering if this new release justifies doing the Time Warp again after so many existing celebrations of the original film, so let’s dig a little deeper into Linus’ production.

Through a dynamic combination of archival footage, personal photographs and in-depth interviews with the original cast (such as Susan Sarandon, Nell Campbell, Patricia Quinn and Tim Curry), as well as commentary by hardcore fans like Jack Black and Trixie Mattel, Strange Journey follows the origins of Rocky Horror all the way from Richard O’Brien’s New Zealand upbringing to the shadow casts and online fandom motivating the film adaptation’s modern-day screenings. The documentary also serves as a surprisingly poignant look at how O’Brien views the “franchise” as a whole and how it reflects his personal journey of self-discovery.

Right out of the gate, the film sets itself up as something of a trip down memory lane for hardcore fans as we’re treated to footage of Richard reckoning with the statue of Riff Raff in Hamilton, New Zealand – right next to where he used to cut hair for a living. While the film benefits from plenty of b-roll borrowed from the Rocky Horror Picture Show as a means of hyping up segments of the documentary and even serving as the occasional punchline, Linus expects that viewers are already familiar with the landmark film and dives straight into the cultural context in which his father began working on the surprisingly lo-fi project.

Information goes by fast due to the brisk 80-minute runtime, but I appreciate the nods to Richard’s creative process as we see handwritten songs in a personal notebook that was eventually expanded into the musical’s script. The idea that O’Brien’s method training informed a different view of B-movie performances is undeniably fascinating -as are his musings on genre cinema – but it’s really when the rest of the cast and director Jim Sharman show up that the documentary really shifts into gear.

Sharman’s insight into the low-budget production aspects of the play makes it clear that this was a rag-tag team of artists taking advantage of raw talent and a new cultural zeitgeist that allowed them to confront taboo subject matter. Susan Sarandon is (unsurprisingly) a joy to watch as she reminisces about her time working on the movie adaptation, showing genuine appreciation for the hardship inherent to passionate indie productions. Of course, Tim Curry’s contributions are some of the most compelling, with his comments on how he originally wanted Dr. Frank-N-Furter to have a German accent until a random encounter on the bus made him realize that the good doctor should speak like the Queen, really making you appreciate the big ideas that turned a small production into a smash hit.

That being said, my personal favorite source of snarky quotes and anecdotes is Patricia Quinn, who originally played Magenta. Her stories about a brief romantic encounter with Meatloaf and how grateful she is that the film adaptation of the musical kept most of the original cast are incredibly entertaining and add to the sense that the production captured lightning in a bottle in a way that can never be replicated.

Susan Sarandon in ‘Strange Journey: The Story of Rocky Horror’

As a longtime fan, it was hard not to get swept up in the nostalgia when the file showed pictures of these young performers unaware that their lives were about to be changed forever by a weird little musical – especially when Richard O’Brien would come in with his guitar and perform acoustic versions of some of his most iconic tracks.

Yet, the completely justified pride that Richard appears to feel when presenting the music to his son, and by extension the audience, alongside the existential questions that this exceedingly personal project forces him to revisit, are what make Strange Journey so much more than a corporate puff piece. While I would have liked to see more interaction between the two generations of O’Brien’s, as you get the feeling that Linus is searching for his place in a legacy that extends far beyond his unusual family history, there is enough of an emotional core here that you’ll likely walk away from the experience thinking about what it means to have a single project define your entire life.

At the end of the day, I can’t imagine a more definitive exploration of everything that makes The Rocky Horror Picture Show such a cultural landmark. Featuring memorable insight from nearly all the major players, with the obvious exception of the late, great Meatloaf, and enough behind-the-scenes imagery to make you feel like you were there alongside the team from the very beginning, Strange Journey is the perfect companion to the 1975 masterpiece. That’s why I’d recommend this return to our favorite Frankenstein Place for both diehard fans and newcomers alike.

Strange Journey: The Story of Rocky Horror is available now on digital platforms everywhere.

4 out of 5 skulls

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