Connect with us

Movies

Lin Shaye is Unsure What’s Next for the ‘Insidious’ Franchise [Interview]

Published

on

Lin Shaye - Insidious Red Door

Eight months ago, star Lin Shaye told Forbes that she not only expected a fifth Insidious, but that they had a story for it.

With 2018’s Insidious: The Last Key being the second highest grossing film in the franchise, you’d think Universal and Blumhouse would be hard at work on another sequel. However, Shaye has cooled on her optimism, telling Bloody Disgusting’s “The Boo Crew” Podcast (Apple PodcastsSpotify) that she hasn’t heard much on her end.

When questioned about constantly being asked about a fifth Insidious, Shaye joked, “I’ve asked about it!”

“I know [my character is] dead, okay. I’m finally, really dead, and only in the Further in whatever [sequel] they do. There was some talk at one point – [but] nothing’s been talked about further. I think Blumhouse is so busy right now with so many things.

“I was nervous about the fourth one – part of me went, ‘Are they going to squeeze out another one?’ I was glorified by the fact that it was so successful and people loved the story. For me, it was heaven. It really was.

“But I don’t know the answer,” she continues. “I know there’s been some talk of a possible [fifth Insidious], and I’ve heard talk about an outline, and it wouldn’t have Elise featured – I am seriously in the Further,” she clarified.

“I know [co-creator] James [Wan] had thoughts about going back to the first Insidious and exploring that family,” she adds with a disclaimer that she has no idea if this is what they’d end up doing. “That would be fun, but I also don’t want to beat a horse –  if it’s it, and people go, ‘Gee I wish there was another one,’ well, too bad,” she laughs.

Listen to the entire interview below and watch this spot for any Insidious updates as they come in.

Subscribe to The Boo Crew on Apple PodcastsSpotifyStitcherRSS

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Movies

‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

Published

on

In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

Continue Reading