Movies
‘Deep Blue Sea 3’ is Swimming Our Way and It’s Been Rated R for “Bloody Images”
We first reported back in August 2019 that a third installment in the Deep Blue Sea franchise was on the way, following in the wake of 2018’s direct-to-video Deep Blue Sea 2.
Today brings an update in the form of an MPAA rating. Reported by Exhibitor Relations, WB Home Entertainment’s Deep Blue Sea 3 has been rated “R” for:
“Some violence, bloody images, and language.”
Renny Harlin directed the first film and Darin Scott directed the second. The third installment in the shark attack franchise was directed by John Pogue (Quarantine 2, The Quiet Ones).
In the film, “Dr. Emma Collins and her team are spending their third summer on the island of Little Happy studying the effect of climate change on the great white sharks who come to the nearby nursery every year to give birth. Along with the last two inhabitants of this former fishing village, their peaceful life is disrupted when a “scientific” team led by her ex-boyfriend and marine biologist Richard show up looking for three bull sharks who we soon learn aren’t just any bull sharks.”
IMDb says Nathaniel Buzolic, Emerson Brooks, and Bren Foster star, and also lists a July 28th release date for the film, but we’re still waiting on official confirmation on everything.
The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.
Kino Lorber will release Black Zombie in theaters later this year.
From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.
Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”
“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”
Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”
Executive producers for the documentary include music legend Slash.
‘I Walked With a Zombie’ (1943)
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