Movies
‘The Vigil’ Gets a Chilling International Poster
While we wait for exact details on a US release, filmmaker Keith Thomas will see his festival hit The Vigil released internationally on August 5th after being acquired by Blumhouse earlier this year.
Joe Lipsett reviewed The Vigil out of its premiere in TIFF’s Midnight Madness program, a film in which a man providing overnight watch to a deceased member of his former Orthodox Jewish community finds himself opposite a malevolent entity.
In his review, Lipsett wrote that The Vigil is “a fresh take on the religious/demon possession horror film” that “feels like a breath of fresh air.“
The Toronto International Film Festival shared this lengthy write up:
“Set over the course of a single evening in Brooklyn’s Hassidic “Boro” Park neighborhood, The Vigil follows Yakov, a former Hassid, as he accepts a position as a shomer, hired to “sit the vigil” and watch over the body of a deceased community member. Having lost his faith, Yakov isn’t eager to go back to the insular religious community he only recently fled. But when Reb Shulem, a rabbi and confidante, approaches Yakov after a support group meeting and offers to pay Yakov to be the shomer for a recently deceased Holocaust survivor, he reluctantly accepts the job. Shortly after arriving at the dilapidated house, Yakov realizes that something is very, very wrong. This will not be a quiet vigil.”
The film stars Adam Margules, Dave Davis, Menashe Lustig, Malky Goldman, Lynn Cohen, and Fred Melamed. It was produced by JD Lifshitz and Raphael Margules at Boulderlight and Adam Margules of Angry Adam Productions.
Here’s the chilling international poster:
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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