Movies
“Increasingly Intense”: Edgar Wright Teases His Psychological Horror Film ‘Last Night in Soho’
Originally scheduled for release this September, Edgar Wright‘s new movie Last Night in Soho will instead be arriving in theaters on April 23, 2021, we had learned this past May.
Last Night in Soho, starring Anya Taylor-Joy and Thomasin McKenzie, is set in London’s Soho district during the Swinging Sixties, and there seems to be a time travel element involved.
Speaking with Empire this week, Wright teased a “very different” sort of movie.
“It will feel very different to my other films,” Wright told Empire. “But I’ve always liked films which have a slow burn into something else, and a lot of my movies have that feeling.”
He continued, “Last Night starts in a more psychological realm and then starts to get increasingly intense as it goes along. And I always like to gravitate towards making a film in genres I miss, and there’s a certain type of psychological horror film that you got more in the ‘60s and ‘70s, that have something of an operatic nature. I’m using that kind of visual grammar.”
Wright wrote the script with Krysty Wilson-Cairns (“Penny Dreadful”).
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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