Movies
“Watchmen” Writer Stacy Osei-Kuffour is Writing Marvel’s ‘Blade’ Reboot
It was announced at San Diego Comic-Con 2019 that Marvel is bringing Blade back to the big screen in the next phase of the Marvel Cinematic Universe, with Oscar-winner Mahershala Ali taking over the role. We had learned more recently that the hunt for a writer was on, and THR breaks the news tonight that Stacy Osei-Kuffour (“Watchmen”) has landed the job.
THR notes, “Marvel has spent the last six months meeting with writers in what was described as a meticulous search with which Ali was directly involved. Only Black writers were seriously considered, a reflection of Marvel’s focus on diversity and making representation a key factor.”
Osei-Kuffour recently served as story editor and episode writer on HBO’s “Watchmen,” and she has also worked in the writing departments on “PEN15,” “Hunters” and “Run.”
The Wesley Snipes-starring Blade, meanwhile, came to 4K Ultra HD late last year.
The vampire-slaying character was created by writer Marv Wolfman and artist Gene Colan, introduced in July 1973’s The Tomb of Dracula #10. Snipes played Blade across three films from 1998 through 2004, and he was played by Sticky Fingaz in a short-lived TV series.
After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.
You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!
Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.
Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”
“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.
She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”
Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.
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