Movies
‘Stake Land’ Director and “Sweet Tooth” Co-Creator Jim Mickle Heads to ‘God Country’ for Legendary
Fresh off Netflix’s “Sweet Tooth,” we’ve learned via Deadline today that Jim Mickle (Stake Land) has already set up his next project, a feature adaptation of graphic novel God Country.
The project comes from Legendary Entertainment and AfterShock Media.
In God Country, “Emmett Quinlan is an elderly widower rattled by dementia. Emmett isn’t just a problem for his children–his violent outbursts are more than the local cops can handle. When a tornado levels his home–as well as the surrounding West Texas town–a restored Quinlan rises from the wreckage. An enchanted sword at the eye of the storm gives him not just a sound mind and body, but phenomenal power. He’s now the only man who can face the otherworldly creatures the sword has drawn down to the Lone Star State.”
Deadline notes that the film “will bring a Western aesthetic to the super hero genre.”
Donny Cates created the graphic novel, and he’s also writing the film adaptation.
Movies
Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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