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‘The Forest Hills’ – Character Posters for Werewolf Movie Include Shelley Duvall and Edward Furlong

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Scott Goldberg‘s The Forest Hills will bring together Edward Furlong (Terminator 2), Dee Wallace (The Howling), and Shelley Duvall (The Shining), with the film notably marking Duvall’s first movie appearance in two decades(!). Duvall is featured in a new trio of character posters that were debuted today, and BD also has another exclusive casting announcement.

Jamie Marsh (The Forsaken, Killer App, X-Files, Best Laid Plans) has joined the cast of the upcoming werewolf horror movie, re-teaming with his Brainscan co-star Edward Furlong.

Chiko Mendez, Felissa Rose, Linda Flores, Marianne Hagan, and Stacey Nelkin also star.

You can help fund The Forest Hills on Indiegogo now.

The Forest Hills follows Rico (Chiko Mendez), a man who is tormented by nightmarish visions after enduring head trauma while hiking in the Catskills.

Edward Furlong plays the role of Billy, a man who influences Rico to believe that he can become a werewolf. And we hear Furlong transforms into a werewolf in the movie.

Director/Producer/Writer Scott Goldberg tells Bloody Disgusting, “For the transformation process throughout the film, we are doing all practical special effects. There is absolutely no CGI for the transformation sequences because we grew up watching films in the early 80s that had to create the horror through practical special effects.”

Produced by Dreznick-Goldberg Productions, Digital Thunderdome, and Scott Hansen.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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