Movies
‘The Pope’s Exorcist’ Trailer – Russell Crowe Battles Demons on April 14th
Julius Avery, the director of 2018’s Overlord, is heading back into the horror genre with The Pope’s Exorcist on April 14, and the first official trailer has arrived this morning.
Watch the official trailer for The Pope’s Exorcist below.
Bloody Disgusting recently reported that Ralph Ineson (The Witch, The Green Knight) has joined Russell Crowe in the film. Ineson has been cast as the voice of the demon.
The Pope’s Exorcist is rated “R” for…
“Violent content, language, sexual references, and some nudity.”
Franco Nero (Django, John Wick: Chapter 2) recently joined the cast as the titular pope, starring alongside Russell Crowe as real-life exorcist Father Gabriele Amorth. Laurel Marsden (Ms. Marvel), Cornell S. John (Fantastic Beasts: The Crimes of Grindelwald), Peter DeSouza-Feighoney, Alex Essoe (Doctor Sleep) and Daniel Zovatto (It Follows) also star.
From Sony’s Screen Gems, The Pope’s Exorcist is based on real-life exorcist Father Gabriele Amorth, “the legendary Italian priest who performed over 100,000 exorcisms for the Vatican.”
Evan Spiliotopoulos wrote the current draft with revisions by Chuck MacLean, based on Michael Petroni-revised original drafts by Chester Hastings and R. Dean McCreary.
Doug Belgrad of 2.0 Entertainment will be producing along with Michael Patrick Kaczmarek of Jesus & Mary, Jeff Katz of Worldwide Katz, and Loyola Productions’ Eddie Siebert.
The Exorcist director William Friedkin told Father Gabriele Amorth’s story in the recent documentary The Devil and Father Amorth, which you can find on various VOD outlets.
Father Gabriele Amorth passed away back in 2016 at the age of 91.
The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.
Kino Lorber will release Black Zombie in theaters later this year.
From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.
Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”
“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”
Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”
Executive producers for the documentary include music legend Slash.
‘I Walked With a Zombie’ (1943)
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