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‘Cocaine Bear’ Snorts Up $23 Million Opening Weekend in the United States

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Cocaine Bear trailer

A strong genre hook is almost always a win at the box office, so it’s no surprise that Universal’s Elizabeth Banks-directed horror comedy Cocaine Bear enjoyed a nice debut weekend.

Outpacing early projections in the days prior to release, the film snorted up $23 million domestically and $28.4 million worldwide in its debut this past weekend. This put the movie in the #2 spot for the weekend, not far behind Ant-Man and the Wasp: Quantumania.

The only catch? Cocaine Bear carries a production budget of around $30 million, so it’s going to need to do a bit more blow before it starts being profitable. But with strong word-of-mouth, it’s likely that the film will continue to make money in the coming weeks. Will it ultimately be enough to hit the point of profitability? We’ll keep you posted as numbers come in.

‘Cocaine Bear’ Review – A Raucously Entertaining and Gory Horror-Comedy

The movie is inspired by true events that took place in Kentucky in 1985, and it was written by Jimmy WardenPhil Lord and Chris Miller (Spider-Man: Into the Spider-Verse) produced.

The basic gist of the story is that a 175-pound black bear was found dead from an overdose after ingesting massive amounts of cocaine dropped into the woods by a drug smuggler.

Deadline details, “The movie finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500- pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow … and blood.”

Keri Russell, Ray Liotta, Alden Ehrenreich, O’Shea Jackson and Jesse Tyler Ferguson star in the movie. Brian Duffield (Underwater, Spontaneous) is also on board to produce.

Directed by Elizabeth Banks from a screenplay by Jimmy Warden (The Babysitter: Killer Queen), Cocaine Bear is produced by Oscar® winners Phil Lord and Chris Miller (Spider-Man: Into The Spider-Verse, The Mitchells vs. The Machines) and Aditya Sood (The Martian) for Lord Miller, by Elizabeth Banks and Max Handelman (Pitch Perfect franchise) for Brownstone Productions, and by Brian Duffield (Spontaneous). Robin Fisichella (Ma) will executive produce.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Movies

Post Malone Teams With Platinum Dunes & Vault Comics to Create ‘Fury Road’ Meets ‘Evil Dead’ Movie

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Pictured: Post Malone in the "Chemical" music video

Here’s an interesting one for you today. “Post Malone, Michael Bay and Brad Fuller’s Platinum Dunes, and Vault Comics have partnered to create an all-new IP universe based on an original story by the 8x diamond recording artist,” Bloody Disgusting has learned this afternoon.

What exactly does this mean? Well, the plan is for Vault Comics to launch this original genre story as a graphic novel in 2025, with Platinum Dunes developing the film adaptation.

The comic book/movie doesn’t yet have a title, but here’s what we know so far…

The official press release details today, “Blending elements of road thrillers like Mad Max: Fury Road, and demonic horror like Evil Dead, the story is set in medieval Europe, where the only thing standing in the way of the horde of demons infesting the continent is a mysterious armored 18-wheeler seemingly sent back from the heavens.”

“I’m so pumped to share this badass story with the world, and I couldn’t ask for better partners than Michael Bay and Vault to help bring this story to life,” Post Malone said in a statement.

“This is the kind of project you dream about,” said Vault CEO Damian Wassel. “We get to work with an exceptional artist at the top of his game to build a completely original story from the ground up. We have an iconic director helping to guide the creative development. We’re going to bring the world a mind-blowing graphic novel, and that’s just the beginning.”

“I love working with talented people, and Post Malone is incredibly gifted,” says Bay. “I am excited to work with him on such an intriguing idea, and when you add Vault to the mix, it raises the bar to another level. This new IP is just what the graphic world needs right now.”

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