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‘God is a Bullet’ Trailer – Nikolaj Coster-Waldau and Maika Monroe Take on Satanic Cult in Revenge Thriller

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God is a Bullet

Nikolaj Coster-Waldau (“Game of Thrones,” Mama) and an almost unrecognizable Maika Monroe (It FollowsWatcher) take on a bloodthirsty, Satanic cult in God is a Bullet, a revenge thriller based on the best-selling novel by Boston Teran.

The film follows “detective Bob Hightower (Coster-Waldau), who finds his ex-wife murdered and his daughter kidnapped by an insidious cult. With the help of the cult’s only female victim escapee, Case Hardin (Monroe), Bob and Case go down the rabbit hole with The Ferryman (Jamie Foxx) to save his daughter and find closure for Case from the cult – and its maniacal leader (Karl Glusman) – that took so much away from her.”

God is a Bullet releases exclusively in theaters on June 23, 2023. The film will expand to a digital release in the US on July 11, 2023. 

The revenge thriller is adapted for the screen and directed by Nick Cassavetes (Alpha DogJohn QThe Notebook). It also stars January JonesPaul JohanssonDavid ThorntonJonathan TuckerEthan Suplee, and Brendan Sexton III.

Check out the intense trailer below for a peek at the violent cult action and its characters.

In a press release, Patriot Pictures’ Michael Mendelson said, “We are looking forward to working with Wayward and are so excited that God is a Bullet will be hitting theaters nationwide this summer. Audiences are back and want to see films that keep them on the edge. Nick and I, with an amazing, multi-national cast and crew, are excited to release a badass, action-packed revenge classic, made to be enjoyed on the big screen.” 

Cassavetes added, “I’ve been trying to tell this great story for the last 18+ years. It’s tough, violent, has two flawed and fantastic characters, and absolutely pulls no punches. I love it! There’s nothing else out there like it, not even close!” 

The film is produced by Michael Mendelsohn from Patriot Pictures and Donald V. Allen. Kim H. Winther and Jim Steele are co-producing. Executive producing is Natalie Perrotta, Paul Johansson, Sidney Kimmel, Jamie Foxx, Chuck Pacheco, Jim Steele, Santiago García Galván.

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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