Movies
‘Woman of the Hour’ – Anna Kendrick’s Serial Killer Thriller Finds a Home at Netflix
Fresh out of its world premiere at TIFF, the Anna Kendrick-directed thriller Woman of the Hour has been sold to Netflix for a staggering eight figures, Variety reports this week.
Variety details, “The streamer is paying in the $11 million range for the ripped-from-the-headlines thriller, making it the first major sale of the festival. The deal covers the U.S. and several international territories including France, Italy, Japan and South Korea.”
Meagan Navarro explains in her four-star review for Bloody Disgusting, “Anna Kendrick takes aim at the true crime serial killer story in her feature directorial debut, Woman of the Hour. A charming, kitschy ’70s set exploration of gender dynamics quickly gives way to an unnerving, suspenseful stranger-than-fiction tale of serial killer and rapist Rodney Alcala and his bizarre appearance as a bachelor on “The Dating Game.” Kendrick’s incisive vision, blending horror and humor with nonlinear storytelling, makes for an unshakable debut.
“Kendrick pulls double duty for her debut, also starring as Cheryl Bradshaw, a struggling actress trying to carve out a career in California. Cheryl’s failed attempts to win over casting directors and gently rebuff her pushy neighbor put her at her wit’s end. That’s when her agent decides to land her a spot as the bachelorette on the popular live TV show “The Dating Game.” But it’s not just the typical stressors and anxieties of getting thrust into a live show with overbearing personalities to worry about; one of the eligible bachelors on her episode happens to be brazen killer Rodney Alcala (Daniel Zovatto) in the midst of a ruthless murder spree.”
Meagan raves, “Kendrick’s directorial debut dazzles with its incisive commentary, and the first-time director demonstrates clever instincts in knowing when to weaponize dark humor and when to let the dramatic moments breathe for maximum impact. Kendrick tosses out some of the more familiar serial killer conventions, and yet nothing is lost in terms of intensity and nerve-fraying sequences. It makes for an authentic, poignant, and unsettling debut.”
Nicolette Robinson and Autumn Best also star.
Ian MacAllister McDonald wrote Woman of the Hour, a Black List script that had previously been optioned – but ultimately ditched – by Netflix. The film has truly come full circle.
Stay tuned for more on Woman of the Hour as we learn it.
It was announced two years ago that filmmaking team Radio Silence (Ready or Not, Scream, Scream VI, Abigail) were working on bringing Snake Plissken back to the screen for a brand new movie based on John Carpenter’s Escape from New York for 20th Century Studios, with John Carpenter himself on board as an executive producer of the upcoming movie.
The project had originally been described as a “reboot,” but filmmakers Matt Bettinelli-Olpin and Tyler Gillett had described it as more of a “requel.” Unfortunately, the pair revealed to Comicbook.com that they’re no longer developing the requel and have parted ways with the project.
Gillett told the outlet, “We are not, unfortunately. I think titles like that bounce around for a while and I think they’ve tried to get that out of the blocks a few times. I think it’s just ultimately a tricky rights issue thing. There’s a clock on it and we just weren’t in a position to make the clock, ultimately. But who knows? I think, in hindsight, it feels crazy that we would think we would, post-Scream, step into a John Carpenter franchise. You never know. There’s still interest in it and we’ve had a few conversations about it but we’re not attached in any official capacity.”
Escape from New York was set in 1997. “When the U.S. president crashes into Manhattan, now a giant maximum security prison, a convicted bank robber is sent in to rescue him.”
In Escape from LA, also directed by John Carpenter, “Snake Plissken is once again called in by the United States government to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported.”
Radio Silence is fresh off of helming gory vampire movie Abigail. It’s the third vampire movie from the Universal Monsters brand in the past year, the film scaring up $34.7 million at the worldwide box office these past few weeks. That gives it a higher worldwide gross than both The Last Voyage of the Demeter ($21.7 million) and Renfield ($26.4 million), and it’s also the most critically successful of the three vampire movies. Abigail also just landed on Premium VOD, so you can watch at home now.
Stay tuned for additional details on the Escape from New York requel, and what’s next for Radio Silence.
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