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‘Saw X’ – 4DX Poster Assembles Billy Out of Human Bodies

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Jigsaw is back in Kevin Greutert’s Saw X on September 29, a sequel to the original Saw movie that will be getting an immersive release in 4DX theaters. What is 4DX, you ask?

4DX is a premium format that allows films to be projected with various practical effects like rain, wind, strobe lighting and motion-seats. The goal is to fully immerse the audience in the movie and the effects allow for recreations of various effects seen on screen.

Be a part of Jigsaw’s legacy in 4DX on September 29 and check out the official 4DX poster below, which cleverly assembles the visage of the Billy puppet out of a pile of human bodies.

Looking for a Halloween costume this year? Pick up the Billy mask now!

Lionsgate teases, “The return of Tobin Bell to the franchise furthers Lionsgate and Twisted Pictures’ goal of a film that captures everything Saw fans love about the franchise, while also keeping them guessing with all-new traps and a new mystery to solve.”

“John Kramer (Tobin Bell) is back for the untold chapter of Jigsaw’s final games.”

“Set between the events of Saw I and II, a sick and desperate John travels to Mexico for a risky and experimental medical procedure in hopes of a miracle cure for his cancer – only to discover the entire operation is a scam to defraud the most vulnerable.

“The infamous killer returns to his work, turning the tables on the con artists in his signature visceral way through devious, deranged, and ingenious traps.”

Shawnee Smith is back as Amanda Young in Saw X.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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Radio Silence No Longer Attached to ‘Escape from New York’ Requel

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Escape from New York - Radio Silence

It was announced two years ago that filmmaking team Radio Silence (Ready or Not, Scream, Scream VI, Abigail) were working on bringing Snake Plissken back to the screen for a brand new movie based on John Carpenter’s Escape from New York for 20th Century Studios, with John Carpenter himself on board as an executive producer of the upcoming movie.

The project had originally been described as a “reboot,” but filmmakers Matt Bettinelli-Olpin and Tyler Gillett had described it as more of a “requel.” Unfortunately, the pair revealed to Comicbook.com that they’re no longer developing the requel and have parted ways with the project.

Gillett told the outlet, “We are not, unfortunately. I think titles like that bounce around for a while and I think they’ve tried to get that out of the blocks a few times. I think it’s just ultimately a tricky rights issue thing. There’s a clock on it and we just weren’t in a position to make the clock, ultimately. But who knows? I think, in hindsight, it feels crazy that we would think we would, post-Scream, step into a John Carpenter franchise. You never know. There’s still interest in it and we’ve had a few conversations about it but we’re not attached in any official capacity.”

Escape from New York was set in 1997. “When the U.S. president crashes into Manhattan, now a giant maximum security prison, a convicted bank robber is sent in to rescue him.”

In Escape from LA, also directed by John Carpenter, “Snake Plissken is once again called in by the United States government to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported.”

Radio Silence is fresh off of helming gory vampire movie Abigail. It’s the third vampire movie from the Universal Monsters brand in the past year, the film scaring up $34.7 million at the worldwide box office these past few weeks. That gives it a higher worldwide gross than both The Last Voyage of the Demeter ($21.7 million) and Renfield ($26.4 million), and it’s also the most critically successful of the three vampire movies. Abigail also just landed on Premium VOD, so you can watch at home now.

Stay tuned for additional details on the Escape from New York requel, and what’s next for Radio Silence.

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