Movies
Screen Gems Making Horror a Top Priority; Gary Dauberman on Board to Develop Feature Films
Sony’s Screen Gems, behind recent horror movies including Insidious: The Red Door, The Pope’s Exorcist and The Invitation, is looking to make an even bigger mark on the horror space, The Hollywood Reporter informs us tonight. On that note, they’ve signed Gary Dauberman (Salem’s Lot) to a first-look deal for the purposes of developing feature films in the genre.
THR notes, “The move comes as Sony seeks to rebuild Screen Gems, its division focused on lower-budgeted fare, into a more productive label, with horror being a top focus.”
As part of the deal, Gary Dauberman is said to be “creating projects for himself,” while also “curating a slate featuring established and up-and-coming filmmakers.”
“Involved in some of the biggest horror franchises in the last 10 years, Gary has an extraordinary ability to create and build out terrifying worlds and create a visceral experience through thoughtfully crafted story and characters,” Screen Gems’ Ashley Brucks said. “He’s a force in the horror genre space and we are thrilled to be partnering with him at Screen Gems as he continues to come up with new and creative ways of entertaining and scaring audiences.”
“I am thrilled to be part of the exciting new chapter of horror at Sony Pictures and Screen Gems,” Dauberman said in a statement of his own. “I’m truly inspired by Ashley’s energy, instincts, and vision for the genre space, and I thank Josh and Sanford for their trust and support, and their commitment to horror fans.”
Gary Dauberman has been a fixture in the horror space for several years now, writing horror hits including IT (2017), The Nun and IT: Chapter Two. He made his directorial debut with Annabelle Comes Home in 2019, and he more recently directed the remake of Stephen King’s horror novel Salem’s Lot that remains without any sort of release strategy at this time.
NEON has been absolutely slaying the marketing game for their horror output this year, and they’re kicking the Longlegs campaign into high gear with one more month until release.
A cryptic ad in The Seattle Times today (seen below) has led clever horror fans to discover TheBirthdayMurders.net, the brand new official viral marketing website for Longlegs.
The in-universe website details the victims of the serial killer known as Longlegs (Nicolas Cage), described as a “Satan-worshipping psycho” who has terrorized families throughout the Pacific Northwest for nearly three decades.
The website details, “A bloody trail of bodies here in the great state of Oregon attests to the depraved savagery of this one-of-a-kind serial killer. With over three dozen victims that we know of, LONGLEGS is one of the most prolific mass murderers ever to have graced the region, and his gruesome endeavors are the stuff of nightmares. At first, all of the killings appeared to be straightforward murder-suicides: the handiwork of average men who suddenly snapped and slaughtered their wives and children. But a series of eerie coded messages left at the crime scenes indicate that someone – or something – is influencing these horrific crimes. The cryptic letters are signed by someone calling himself LONGLEGS.”
“With thirty-eight kills to his name, LONGLEGS has torn apart the lives of eleven different families throughout the Beaver State. His victims were good people: honest fathers, decent mothers, innocent little children.”
The website is loaded with secrets, clues, and gruesome (faux) crime scene photos, and you might even find a mention of yours truly nestled in there. Poke around. Stay a while.
Longlegs arrives in theaters July 12.
The upcoming serial killer horror movie marks the return of director Osgood Perkins (The Blackcoat’s Daughter, Gretel & Hansel). Nicolas Cage stars alongside Maika Monroe, with Monroe playing an FBI agent and Cage playing a serial killer.
In the film, “FBI Agent Lee Harker (Monroe) is a gifted new recruit assigned to the unsolved case of an elusive serial killer (Cage). As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.
The film is rated “R” for “Bloody violence, disturbing images and some language.”
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