Quantcast
Connect with us

Movies

SXSW 2024 Adds ‘Immaculate,’ ‘Monkey Man,’ and More Horror to Film Lineup

Published

on

Immaculate SXSW Horror

This year’s SXSW Film Festival (March 8-16, 2024), taking place in Austin, Texas, was already shaping up to be one of the year’s biggest events for horror. Today, the festival has announced even more genre titles to their film lineup, ensuring a densely packed slate of genre fare.

Among the headliners, you’ll find Neon’s Immaculate, starring Sydney Sweeney, joined by Monkey Paw’s Monkey Man and A24’s comedy Y2K featuring effects by Weta Worshop. The three new additions to the fest’s lineup are joined by a slew of upcoming titles that pique our interest. And that’s on top of the what’s been previously announced.

Read on for the genre titles newly added to SXSW 2024’s lineup, and stay tuned for additional programming announcements.


HEADLINER
Big names, big talent featuring red carpet premieres and gala film events with major and rising names in cinema.

Immaculate

Immaculate SXSW Horror
Director: Michael Mohan, Producers: David Bernad, Sydney Sweeney, Jonathan Davino, Teddy Schwarzman, Michael Heimler, Screenwriter: Andrew Lobel
A devout American nun embarks on a new journey in a remote convent in the picturesque Italian countryside. Her warm welcome quickly devolves into a nightmare as it becomes clear her new home harbors a sinister secret and unspeakable horrors. Cast: Sydney Sweeney, Álvaro Morte, Dora Romano, Benedetta Porcaroli, Giorgio Colangeli, Simona Tabasco (World Premiere)

Monkey Man

monkey man
Director: Dev Patel, Producers: Dev Patel, Jomon Thomas, Jordan Peele, Win Rosenfeld, Ian Cooper, Basil Iwanyk, Erica Lee, Christine Haebler, Anjay Nagpal, Screenwriters: Dev Patel, Paul Angunawela, John Collee
Dev Patel achieves an astonishing directing debut with this action thriller about a man’s vengeance against the men who murdered his mother. Cast: Dev Patel, Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, Sobhita Dhulipala, Ashwini Kalsekar, Adithi Kalkunte, Makarand Deshpande (World Premiere)

Y2K

Y2K
Director: Kyle Mooney, Producers: Jonah Hill, Matt Dines, Alison Goodwin, Chris Storer, Cooper Wehde, Evan Winter, Screenwriters: Kyle Mooney, Evan Winter
On the last night of 1999, two high school juniors crash a New Years Eve party, only to find themselves fighting for their lives in this dial-up disaster comedy. Cast: Rachel Zegler, Jaeden Martell, Julian Dennison, Lachlan Watson, Daniel Zolghadri, Mason Gooding, The Kid Laroi (World Premiere)


NARRATIVE SPOTLIGHT
Unforgettable features receiving their World, North American, or U.S. premieres.

Arcadian (Ireland)

Arcadian
Director: Ben Brewer, Producers: David Wulf, Braxton Pope, Nicolas Cage, Mike Nilon, Arianne Fraser, Delphine Perrier, Screenwriter: Mike Nilon
After a catastrophic event depopulates the world, a father and his two sons must survive their dystopian environment while being threatened by mysterious creatures that emerge at night. Cast: Nicolas Cage, Jaeden Martell, Maxwell Jenkins, Sadie Soverall (World Premiere)

Desert Road

Desert Road
Director/Screenwriter: Shannon Triplett, Producers: Steven Schneider, Josh Clayton, Kirk Martin, Alec Roth, Lauren Bates, Sam Cohan
A young woman crashes her car and walks down the road seeking help, only to find no matter which way she walks she ends up back at her car. As night falls, she realizes she’s going to die in this endless loop… unless she can find a way to escape. Cast: Kristine Froseth, Frances Fisher, Beau Bridges, Ryan Hurst, D.B. Woodside, Max Mattern, Ratchel Dratch, Edwin Garcia II (World Premiere)


VISIONS
Audacious, risk-taking artists who demonstrate innovation and creativity.

7 Keys (UK)

7 Keys
Director/Screenwriter: Joy Wilkinson, Producers: Cassandra Sigsgaard, Dylan Rees
Daniel has kept the keys to all the places he’s lived. Lena wants to use them for a wild weekend getting to know each other intimately in other people’s homes. But what begins as a risky fantasy soon becomes a deadly threat. Cast: Emma McDonald, Billy Postlethwaite, Kaylen Luke, Joey Akubeze, Amit Shah, Jane Goddard (World Premiere)


FESTIVAL FAVORITE
Acclaimed standouts from festivals around the world.

I Saw The TV Glow

I Saw the TV Glow Review

Justice Smith and Brigette Lundy-Paine appear in I Saw the TV Glow by Jane Schoenbrun, an official selection of the World Dramatic Competition at the 2024 Sundance Film Festival. Courtesy of Sundance Institute.

Director/Screenwriter: Jane Schoenbrun, Producers: Emma Stone, Ali Herting, Dave McCary, Kevin Kelly, Sam Intilli, Sarah Winshall
Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack. Cast: Justice Smith, Brigette Lundy-Paine, Ian Foreman, Helena Howard, Fred Durst, Danielle Deadwyler (Texas Premiere)

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

Click to comment

Editorials

5 Things We Learned From The ‘Whalefall’ Trailer

Published

on

Whalefall trailer breakdown

Pulitzer Prize-winning author Daniel Kraus took the literary world by storm back in 2023 with the release of his hit novel Whalefall. A terrifying yet intimate survival thriller with mythological undertones, the book was almost immediately bombarded with offers from movie studios wanting to adapt its claustrophobic imagery to the big screen.

Fast forward to June of 2026, and we finally got our first glimpse at Brian Duffield’s long-awaited adaptation of Whalefall, starring Austin Abrams as our unfortunate lead who gets swallowed alive by a sperm whale. While this two-and-a-half-minute teaser only covers the beginning of the story, it’s already been making waves online (and in-person at select 4DX promotional screenings) as one of the most stressful cinematic experiences of the year.

In fact, my own wife had to cover her eyes and exclaim, “You’re definitely not dragging me to watch this one” when we saw the whale’s jaws begin to close in on Abrams, with this incident alone already leaving me convinced that this will likely be one of the biggest genre hits of the year. With that in mind, I’d like to invite you to take a closer look at the teaser in order to break down interesting details and get a better idea of what’s in store for genre fans when the movie finally comes out this October.

Of course, as usual, don’t forget to comment below if you noticed something we didn’t!

Now, without further ado, here are five things we learned from the Whalefall trailer!


5. Austin Abrams Performed Many of His Own Stunts

Much like in his previous film, No One Will Save You, Duffield insisted that this visceral experience should be grounded by our main character’s believable reactions, regardless of the plot’s effects-heavy setup. That’s why the camera always makes sure to linger on Abrams through his diving mask, so we know that it’s really him going through this ordeal alongside the audience.

While plenty of CGI was used in order to bring this larger-than-life story to the big screen without killing our leading man, Abrams apparently insisted on performing many of his underwater stunts himself (several of which are visible in the trailer) – much to the chagrin of a worried Duffield and the flick’s stunt coordinator, Shauna Duggins.


4. The Film Seamlessly Transitions Between the California Coast and Underwater Sets

Duffield obviously wasn’t about to drag his crew out to the middle of the ocean and shoot inside a real sperm whale, but it’s reassuring to see the filmmaker blend on-location footage with the underwater tank segments and the literal belly of the whale set.

There may be plenty of CGI stitching these elements together, but the trailer shows us that only the truly impossible shots are completely digital, meaning that the filmmakers didn’t take the easy way out when it came to adapting this unique story.


3. The Whale is Only Part of the Story

Book adaptations tend to leave out inner monologues and the occasional flashback in order to streamline the narrative (which is one reason why it’s so difficult to translate Stephen King novels to the big screen), but a claustrophobic parable like Kraus’ Whalefall would get a bit dull after a while if the whole thing was entirely set within the creature’s stomach.

That’s why it’s such a relief that the trailer hints at how Duffield will also be adapting many of the book’s introspective moments chronicling our protagonist’s harsh upbringing under his troubled father. Not only do these inclusions give the audience some much-appreciated breathing room, but they also give Josh Brolin a chance to shine as a truly complicated character.


2. The Movie is Keeping the Book’s Scientific Accuracy…

Whalefall

While Kraus’ novel was inspired by a viral video of kayakers nearly being swallowed by a humpback whale, the writer ended up consulting with marine biologists about exactly what kind of situation might lead to a whale actually eating a human being alive.

The answer was surprisingly specific, as cetaceans are almost universally known to be friendly towards humans. However, even a gentle giant can make mistakes, and as we see in the trailer, Abrams’ unpleasant fate is more of an accident than anything else – with the massive sperm whale only trapping the poor diver in the first (and thankfully acid-free) chamber of its stomach due to a mix-up involving a giant squid.

Fortunately for the film’s special effects artists, they can now reference the first-ever footage of a real-life sperm whale chowing down on one such squid, as this freaky recording was released late last year.


1. …With a Catch!

whalefall movie trailer

Duffield may be doing his best to recreate the grounded (or is it submerged?) thrills of Kraus’ novel, but there are limits to what can be depicted onscreen while still guaranteeing an entertaining movie. That’s why it’s no surprise that Whalefall will take advantage of certain cinematic parlor tricks as the director tests the limits of both physics and biology so we can actually watch his movie.

For starters, the innards of the whale itself have been greatly exaggerated so there’s enough space to make out the action, and in the spirit of movies like Neil Marshall’s The Descent, there also seems to be plenty of non-diegetic lighting meant to show us what’s going on even if Abram’s character wouldn’t necessarily be able to see anything.

Continue Reading