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‘Dead Mail’ Teaser Introduces ’80s Analog Nightmare Ahead of SXSW Premiere

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Dead Mail review

One of the genre films we’re looking forward to checking out at SXSW this year is Dead Mail, written and directed by Joe DeBoer and Kyle McConaghy and premiering on March 9.

A new teaser and key art has debuted ahead of the fest, giving a closer look at the ’80s analog aesthetic.

In the SXSW 2024 horror film…

“On a desolate, Midwestern county road, a bound man crawls towards a remote postal box, managing to slide a blood-stained plea-for-help message into the slot before a panicking figure closes in behind him. The note makes its way to the county post office and onto the desk of Jasper, a seasoned and skilled “dead letter” investigator, responsible for investigating lost mail and returning it to its sender. As he investigates further, Jasper meets Trent, a strange yet unassuming man who has taken up residence at the men’s home where Jasper lives.

“When Trent unexpectedly shows up at Jasper’s office, it becomes clear he has a vested interest in the note, and will stop at nothing to retrieve it…”

Sterling Macer, Jr., John Fleck, Susan Priver, Micki Jackson, Tomas Boykin, and Nick Heyman star in Dead Mail. Preview the film with an exclusive image gallery below.

Dead Mail leans heavily into the ’80s analog aesthetic, delivering a unique crime thriller unafraid to get offbeat with its dark narrative. Expect its characters to be as atypical as Dead Mail‘s sense of style, and expect to hear more about the film soon.

In the meantime, check out the teaser and poster art below.

Dead Mail sxsw poster


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Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Movies

The Birthday Murders: Viral Marketing Website Launches for ‘Longlegs’

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NEON has been absolutely slaying the marketing game for their horror output this year, and they’re kicking the Longlegs campaign into high gear with one more month until release.

A cryptic ad in The Seattle Times today (seen below) has led clever horror fans to discover TheBirthdayMurders.net, the brand new official viral marketing website for Longlegs.

The in-universe website details the victims of the serial killer known as Longlegs (Nicolas Cage), described as a “Satan-worshipping psycho” who has terrorized families throughout the Pacific Northwest for nearly three decades.

The website details, “A bloody trail of bodies here in the great state of Oregon attests to the depraved savagery of this one-of-a-kind serial killer. With over three dozen victims that we know of, LONGLEGS is one of the most prolific mass murderers ever to have graced the region, and his gruesome endeavors are the stuff of nightmares. At first, all of the killings appeared to be straightforward murder-suicides: the handiwork of average men who suddenly snapped and slaughtered their wives and children. But a series of eerie coded messages left at the crime scenes indicate that someone – or something – is influencing these horrific crimes. The cryptic letters are signed by someone calling himself LONGLEGS.”

“With thirty-eight kills to his name, LONGLEGS has torn apart the lives of eleven different families throughout the Beaver State. His victims were good people: honest fathers, decent mothers, innocent little children.”

The website is loaded with secrets, clues, and gruesome (faux) crime scene photos, and you might even find a mention of yours truly nestled in there. Poke around. Stay a while.

Longlegs arrives in theaters July 12.

The upcoming serial killer horror movie marks the return of director Osgood Perkins (The Blackcoat’s Daughter, Gretel & Hansel). Nicolas Cage stars alongside Maika Monroe, with Monroe playing an FBI agent and Cage playing a serial killer.

In the film, “FBI Agent Lee Harker (Monroe) is a gifted new recruit assigned to the unsolved case of an elusive serial killer (Cage). As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.

The film is rated “R” for “Bloody violence, disturbing images and some language.”

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