Movies
‘Beetlejuice Beetlejuice’ – Michael Keaton and Winona Ryder Are Back in First Trailer!
Almost 40 years after the original classic arrived in theaters, Tim Burton’s Beetlejuice Beetlejuice is on the way, and Warner Bros. has debuted the official teaser trailer today.
Watch the teaser trailer for Beetlejuice Beetlejuice below, which is short and sweet enough to get you excited for a return to the Neitherworld without spoiling a damn thing.
There’s only one thing we really need to know… THE JUICE IS LOOSE!
Here’s the official plot synopsis: “After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.”
The upcoming sequel is said to be a real throwback to the hand-crafted days of the 1980s, with Tim Burton employing practical effects and classic stop motion as much as possible.
Keaton explained to People, “The one thing that [Tim Burton] and I decided on early, early, early on from the beginning, if we ever did it again, I was totally not interested in doing something where there was too much technology. It had to feel handmade.”
Beetlejuice Beetlejuice haunts theaters on September 6, 2024, and the cast features Michael Keaton, Winona Ryder, Jenna Ortega, Willem Dafoe, and Monica Bellucci.
Jenna Ortega plays Astrid Deetz, the daughter of Winona Ryder’s Lydia Deetz.
“I don’t know how much I’m allowed to say, but I am Lydia Deetz’s daughter, so I’ll give that away,” Ortega recently told Vanity Fair. “She’s weird, but in a different way and not in the way you’d assume, I would say. The relationship between Lydia (Ryder) and Astrid, my character, is very important. And it’s also really strange because it’s a lot of catching up and putting the pieces together of what’s gone on in Lydia’s life since, which is nice, I think, for anybody who loves the character and is excited to see her again.”
Catherine O’Hara and Justin Theroux will also star in the upcoming sequel, with frequent Tim Burton collaborator Danny Elfman coming back to compose the film’s score.
Tim Burton directs from a screenplay by Alfred Gough & Miles Millar (Wednesday), story by Gough & Millar and Seth Grahame-Smith (The LEGO® Batman Movie), based on characters created by Michael McDowell & Larry Wilson.
The original classic was directed by Burton in 1988 and has become a cult favorite. It starred Alec Baldwin and Geena Davis as ghosts who haunt their old home. When a little girl (Winona Ryder) accidentally unleashes a mischievous ghost (Michael Keaton), the ghosts try to drive the homeowners (Catherine O’Hara and Jeffrey Jones) out of the house.
Before updating the video nasty Faces of Death, director Daniel Goldhaber and writer Isa Mazzei explored the dangers of online life in tech-thriller Cam, their feature debut that was acquired by Netflix in 2018 after making waves on the festival circuit.
At the end of last year, the Netflix exclusive quietly departed from the streaming platform, left without another streaming home.
It’s not an isolated story; Mike Flanagan’s Hush also left streaming entirely for a period until it was finally picked up on both physical media and other streaming services.
While the tech-thriller currently isn’t available to watch on Netflix, Tubi, Hulu, or any other platforms, that’s not a problem for Cam thanks to a very cool move by Goldhaber: the director has made his breakout film accessible to watch online for free via his website.
As his site notes: “CAM is unfortunately not currently available to view on any platforms, so you can watch it here if you like :).“
No subscriptions or fees necessary, just hit play.
Cam follows Alice (Madeline Brewer), who works as an online cam girl obsessed with her ranking on the cam site. The higher her ranking goes, the more it draws unwanted attention, and Alice soon finds herself replaced on her own show with a doppelganger.
Written by Mazzei, a former camgirl, it uses the horror thriller premise to examine the life of a sex worker; Alice’s career ambition is directly at odds with the shame it brings to her family, and how she tries to spare them from it by keeping them in the dark. It only compounds her danger when the doppelganger enters the equation in Goldhaber’s engaging thriller.
For a deep dive into the treacherous world of Cam, listen to Horror Queers’ episode on it now.
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