Movies
5 New Horror Movies Released This Week Including ‘Easter Bloody Easter’
This week brought along with it five brand new horror movies, including a sequel to a viral hit, the at-home debut of a recent theatrical release, and even a new Easter horror movie.
Here’s all the new horror that released March 25, 2024 – March 31, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.

From Fathom Events, the slasher sequel Winnie the Pooh: Blood and Honey II was released into theaters on March 26, but the bad news here is that the film was only playing in theaters for three days – March 26 – March 28. Stay tuned for an at-home release date.
In the film from director Rhys Frake-Waterfield, “Deep within the 100-Acre-Wood, a destructive rage grows as Winnie-the-Pooh, Piglet, Owl, and Tigger find their home and their lives endangered after Christopher Robin revealed their existence. Not wanting to live in the shadows any longer, the group decides to take the fight to the town of Ashdown, home of Christopher Robin, leaving a bloody trail of death and mayhem in their wake. Winnie and his savage friends will show everyone that they are deadlier, stronger, and smarter than anyone could ever imagine and get their revenge on Christopher Robin, once and for all.”
The cast for Winnie the Pooh: Blood and Honey 2 includes Tallulah Evans, Alina Desmond, Scott Chambers (Doctor Jekyll) as Christopher Robin, Ryan Oliva (Seasoning House) as Winnie-the-Pooh, and Peter DeSouza-Feighoney (The Pope’s Exorcist) as Young Pooh.
Matt Leslie (Summer of 84) wrote the screenplay for the slasher sequel.

There haven’t been all that many Easter-themed horror movies over the years, with most fans agreeing that Mick Garris’ Critters 2 still remains the definitive Easter horror movie.
The good news? A brand new Easter horror movie has added itself to the mix this week, with the indie effort Easter Bloody Easter now available for rental on VOD outlets.
Here’s the official synopsis: “The film follows Jeanie (Diane Foster), who, after discovering her husband missing and his car wrecked with blood and fur, embarks on a journey with her friend Carol to uncover the truth behind the town’s dark legend of the killer Jackalope — a shapeshifting human-rabbit hybrid that terrorized the area a century and a half ago. Now, Jeanie and Carol must team up with professional bunny slayer Megan to save their small Texan town — on the eve of celebrating “Easter-palooza” — and stop the Jackalope once and for all.”
From what we gather, the team is hoping that Easter Bloody Easter will launch a franchise, but that of course depends on how many people plunk down their money to check it out.

After scaring up $30 million at the worldwide box office, Blumhouse and Lionsgate’s new horror movie Imaginary is now available for Premium VOD rental/purchase this week.
Imaginary is available to buy for $24.99 and to rent at $19.99 (48-hour period).
DeWanda Wise (Jurassic World Dominion) stars in Imaginary…
“Jessica moves back into her childhood home with her family. Her youngest stepdaughter Alice develops an eerie attachment to a stuffed bear named Chauncey she finds in the basement. Alice starts playing games with Chauncey that begin playful and become increasingly sinister. As Alice’s behavior becomes more and more concerning, Jessica intervenes only to realize Chauncey is much more than the stuffed toy bear she believed him to be.”
The film also stars Tom Payne, Taegen Burns, Pyper Braun, Veronica Falcon, and Betty Buckley. The screenplay is by Jeff Wadlow & Greg Erb & Jason Oremland.
Blumhouse’s Jason Blum produced, with Jeff Wadlow (Cry Wolf, Kick-Ass 2, Truth or Dare, Fantasy Island, The Curse of Bridge Hollow) producing and directing.

Universal’s “Dark Universe” may have gone up in flames right out of the gate, but that’s not stopping other studios from (unofficially) making their own Universal Monsters mashups. All the classic monsters unite to brawl in The Asylum’s Monster Mash, now available on VOD.
Who brings them all together, you ask? Michael Madsen, of course!
In Monster Mash, “A dying Dr. Frankenstein is determined to meld the world’s strongest monsters into a singular, unstoppable creation. Now the monsters—including Dracula, Werewolf, and the Invisible Man—must work together to stop him before it’s too late.”
The film is written and directed by Jose Prendes (The Exorcists).

Legendary’s epic-sized Monsterverse is back on the big screen with Godzilla x Kong: The New Empire, which teams up the two titans to battle a world-ending threat.
Rebecca Hall is back as Dr. Ilene Andrews with Brian Tyree Henry also returning as Bernie Hayes, and they’ll be joined in Godzilla x Kong by Dan Stevens (The Guest).
Adam Wingard (who previously helmed Godzilla vs. Kong) directs Godzilla x Kong: The New Empire, which features a screenplay by Terry Rossio (Godzilla vs. Kong, the Pirates of the Caribbean series) and Simon Barrett (You’re Next) and Jeremy Slater (“Moon Knight”), from a story by Rossio & Wingard & Barrett.
“This latest entry in the Monsterverse franchise follows up the explosive showdown of Godzilla vs. Kong with an all-new cinematic adventure, pitting the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence – and our own. The epic new film will delve further into the histories of these Titans, their origins, and the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.”
Kaylee Hottle (Godzilla vs. Kong), Alex Ferns (The Batman, “Chernobyl”) and Fala Chen (“Irma Vep,” Shang Chi and the Legend of the Ten Rings) also star.
Movies
‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’
Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.
Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.
After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.
Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.
“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”
“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”
Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.
Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.”
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