Movies
“We Built Every Creature” – ‘Alien: Romulus’ Goes Heavy on the Old School Practical Effects!
Four months. We’re now just four months away from the return of the Alien franchise with brand new movie Alien: Romulus, wherein director Fede Alvarez (Evil Dead, Don’t Breathe) will put his own personal stamp on the terrifying sci-fi saga. Disney presented some new footage at CinemaCon last night, though the footage unfortunately isn’t available online.
That being said, we do at least have some footage descriptions from various outlets that were in attendance at CinemaCon. And there’s a common thread in the many descriptions that we’ve been reading. As promised by Alvarez, Alien: Romulus is a practical effects-heavy affair!
Collider’s Steven Weintraub tweets, for starters, “The Alien: Romulus [CinemaCon] scenes are brutal and scary and exactly what I wanted. The practical effects and sets looked great.”
That Hashtag Show’s Hunter Bolding tweets, “Alien: Romulus, from the small amount of footage we were shown, looks like a return to Alien being horrifying. This is Evil Dead (2013) for the Alien series. Mean spirited, gross, and shocking. People were covering their eyes.”
Brandon Davis similarly reacts, “Footage showed facehuggers hugging faces, a violent chest emergence, and insane terror and tension. Violent. Startling. That looks insane.”
And finally, Discussing Film’s Andrew J. Salazar raves out of CinemaCon, “We just saw a whole scene from Alien: Romulus where the main crew gets attacked by a horde of face-huggers. So many of the face huggers are practical puppets. We saw another bit with a chest-burster and the entire sequence doesn’t look like it uses CGI.”
If you want a more specific description of the Alien: Romulus footage shown off at CinemaCon, head over to Discussing Film. But be aware that there are some light spoilers in there!
Here’s a brief spoiler-free snippet from Discussing Film’s coverage: “The small alien is brought to life via puppetry, with it coming out super slow and giving the audience enough time to notice the small details in its design. It’s an incredible visual that makes Alien: Romulus feel more in line with the first Alien trilogy than the recent prequels. The footage ends with a montage of other moments from the film, including our first look at the full body of an adult xenomorph, which looks like an actor in a practical suit more than an animatronic.”
Fede Alvarez spoke about the practical approach of Alien: Romulus in a chat with The Hollywood Reporter last month. He told the outlet, “For the creatures, we brought in all the guys from Aliens. They were in their early twenties when they made Aliens, and they were a part of Stan Winston’s [special effects] team. And now we had them at the top of their game. They have their own shops, and so we brought them all together to work on all the creatures, because we went with all animatronics and puppets at every level.”
“I have this obsession with no green screens, so we built every creature and set,” he continued. “Everything had to be built so we were really living and breathing in these spaces. But I’m not an anti-CG guy. I still do VFX shots in my movies to this day. I’ll cut and do VFX shots on my computer, sometimes. So it’s just whatever is best for the shot, and when it comes to face-to-face encounters and moments with creatures, nothing beats the real thing.
“For the sets, we built spaceships and we built miniatures. We went back to all of that. And then we figured out ways to marry it with the CG world. There’s some things that only CG can do for the scope and movement. So it really has to be the right tool for the shot. Ideally, you should never feel like you’re watching CG. Ideally, there should be nothing there where the audience goes, ‘Well, that was clearly CG.’ It should always feel practical, but I prefer practical because I want to see it when I’m there [on set].”
Alien: Romulus will be released only in theaters on August 16, 2024.
In the new movie, “While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.”
The holiday weekend means a light week for new horror releases, but it does bring the return of Dark Castle Entertainment to select theaters. It’s being joined by 6 new horror movies.
Here’s all the new horror releasing June 29, 2026 – July 3, 2026!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
You wished for it. The highest-grossing horror movie of the year (so far), Curry Barker’s Obsession, arrived on Digital on June 30.
In Curry Barker’s theatrical debut Obsession, after breaking the mysterious One Wish Willow to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.
Michael Johnston (“Teen Wolf”), Inde Navarette (“Superman & Lois”), Cooper Tomlinson (“That’s a Bad Idea,” Milk & Serial), Megan Lawless (The Death That Awaits), and Emmy Award-nominee Andy Richter (“Conan,” Elf) star.
Based on a story by director James Kondelik (Behind The Walls) and a screenplay by Canadian writer Victor Rose, survival thriller Pitfall headed home to Digital on June 30. Family is murder in this Cineverse release.
In Pitfall, a young man becomes separated from his friends in the woods and plunges into a ten-foot pit lined with spikes, impaling his leg and leaving him helpless. As reality sinks in and his situation grows dire, he realizes the fall wasn’t an accident.
The film stars Richard Harmon (Final Destination: Bloodlines), Alexandra Essoe (The Pope’s Exorcist), and UFC champion Randy Couture (The Expendables) as the ruthless killer who stalks his prey in the woods. Marshall Williams (The Ice Road), Jordan Claire Robbins (The Umbrella Academy), and Matt Hamilton (Murder for Sale) also star.
The Amityville IP leans into Jaws with Amityville Shark House, just in time for the Fourth of July holiday too, as it released on Digital June 30.
Will Collazo Jr. (Amityville Thanksgiving) and Shawn C. Phillips (Amityville Karen) co-direct from a script they wrote with Julie Anne Prescott.
In the movie, after discovering an ominous shark idol hidden beneath the decaying floorboards, Richard unknowingly awakens an ancient and savage force. As the entity begins to merge with him, a quiet coastal town descends into blood-soaked chaos.
With each victim claimed, the monstrous predator grows stronger, fueling a cult’s belief that their dark god has been reborn. Now, the race is on to stop the carnage before evil consumes everything in its path.
Phillips and Prescott also star alongside Tasha Tacosa, Maritza Brikisak, Gigi Gustin (The Retaliators), Adam Marino, and Carl Solomon.
Available on Digital, Blu-ray, and DVD as of June 30 is Jacked, directed by John Fucile from a script he co-wrote with Simon Fraser.
The synopsis: “Set in the summer of 1987, JACKED follows two small-town teenagers whose day at the lake turns into a fight for survival after their car breaks down and they encounter a violent stalker.”
Marla Jean Robison, Tom Koch, Anthony Cipriani, Wynn Reichert, Kam Perez and Bella Marie star.
Get ready to work up a killer sweat and maybe spill some blood with Slashercise, a workout meets slasher hybrid that arrived exclusively on Bloodstream on July 1.
Written and directed by Ama Lea (Deathcember), the retro-styled feature follows “a masked killer known only as Meathead as he stalks the fitness clubs of Los Angeles, turning workout sessions into blood-soaked nightmares. As the city’s top trainers are picked off one by one, a group of determined fitness fanatics must fight back before they become the next bodies on the mat.”
Vanessa Decker (Stiletto), John Bloom (The Last Drive-In With Joe Bob Briggs), Spencer Charnas (Ice Nine Kills), Sarah French (Blind), Kelli Maroney (Night of the Comet), Sarah Nicklin (V/H/S/Halloween), Diana Prince (The Last Drive-In With Joe Bob Briggs), Jared Rivet (The Once and Future Smash), Felissa Rose (Sleepaway Camp), Tiffany Shepis (Victor Crowley), and Lisa Wilcox (A Nightmare on Elm Street 4: The Dream Master) star.
After a record-breaking box office run, A24 and director Kane Parsons’ feature debut is heading back to theaters with bonus footage. AMC Theatres is unleashing Backrooms: Everything Must Go Editiontoday, July 3.
In the film written by Will Soodik, the owner of Cap’n Clark’s Ottoman Empire discovers a strange doorway in the basement of the furniture showroom. He sets out to explore the mysterious, liminal space, walking headfirst into a creepypasta nightmare.
Chiwetel Ejiofor and Renate Reinsvestar.
AMC describes this release as a “theatrically exclusive post-credit” with additional footage from Kane Parsons. Expect 16 minutes of bonus footage, with the new version clocking in at 2 hours and 6 minutes.
The Last Exorcism director Daniel Stamm and Dark Castle Entertainment are back with Lockbox, in select theaters July 3. It adapts Soren Narnia‘s Knifepoint Horror Podcast story “Winthrop” by Emmy-winning playwright Justin Yoffe.
In Lockbox, “Seeking peace after her mother’s death, Ellen retreats to a rural town and takes in her severely traumatized cousin Winthrop. Their fragile domestic balance shatters when an erratic neighbor warns that Winthrop is dangerous. As strange phenomena escalate, Ellen must put everything on the line to defend Winthrop from a dangerous otherworldly entity determined to track him down.”
Lou Taylor Pucci (Touch Me, Evil Dead), Carla Gugino (The Haunting of Hill House, Gerald’s Game, The Fall of the House of Usher) and Katharine Isabelle (Ginger Snaps, Backrooms) star.
This week’s new release roundups are presented by Lockbox.
Be careful who you let in. Carla Gugino and Lou Taylor Pucci star in Lockbox, only in select theaters this Friday. Get tickets.
You must be logged in to post a comment.