Movies
‘The Long Walk’ Rated “R” for Strong Bloody Violence and Grisly Images
The Long Walk is one of Stephen King‘s most harrowing books, and the upcoming film adaptation doesn’t seem to be shying away from the intensity with its “R” rating from the MPA.
The Long Walk is rated “R” for “strong bloody violence, grisly images, suicide, pervasive language, and sexual references.”
Based on King’s 1979 dystopian novel of the same name, the film arrives in theaters on September 12 from Lionsgate.
The story follows Raymond Garraty, a 16-year old who takes part in an annual contest in which 100 teens must journey, nonstop and under strict rules, until only one is left alive.
Francis Lawrence (I Am Legend, Constantine) directs from a script by JT Mollner (Strange Darling).
Cooper Hoffman (Licorice Pizza) and David Jonsson (Alien: Romulus), Garrett Wareing (“Manifest”), Tut Nyout (“The Witcher: Blood Origin”), Charlie Plummer (The Clovehitch Killer), Ben Wang (Karate Kid: Legends), Roman Griffin Davis (Jojo Rabbit), Jordan Gonzalez (“Pretty Little Liars: Origin Sin”), Joshua Odjick (Welcome to Derry), Josh Hamilton (“The Walking Dead”), Judy Greer (Halloween), and Mark Hamill (The Life of Chuck) star.
Francis Lawrence produces with Roy Lee (IT, Doctor Sleep), Steven Schneider (Insidious, Paranormal Activity), and Cameron MacConomy (The Hunger Games: The Ballad of Songbirds & Snakes).
The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.
Kino Lorber will release Black Zombie in theaters later this year.
From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.
Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”
“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”
Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”
Executive producers for the documentary include music legend Slash.
‘I Walked With a Zombie’ (1943)
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