Movies
‘Ready or Not 2: Here I Come’ and ‘They Will Kill You’ Headline SXSW 2026’s Packed Horror Lineup
This year’s SXSW Film Festival (March 12-18, 2026), taking place in Austin, TX, has unveiled its lineup this afternoon and it’s another insanely packed year for horror premieres.
While the Midnighter section is dedicated to the genre lovers, SXSW 2026 has filled its Headliner section and beyond with hotly anticipated titles like Ready or Not 2: Here I Come, The Trip remake Over Your Dead Body, and They Will Kill You. Also look for festival favorites like Obsession and more in one packed slate of horror premieres.
Read on for the genre titles included in SXSW 2026’s lineup, and stay tuned for additional programming announcements.
HEADLINER
Big names, big talent featuring red carpet premieres and gala film events with major and rising names in cinema.
Mike & Nick & Nick & Alice
Director/Screenwriter: BenDavid Grabinski, Producer: Andrew Lazar
A hilarious, stylized, R-rated action-comedy about two gangsters and the woman they love trying to survive the most dangerous night of their lives. As if that wasn’t enough, there’s one wild ingredient added to the mix: a time machine. Cast: Vince Vaughn, James Marsden, Eiza González, Keith David, Jimmy Tatro, Stephen Root, Lewis Tan, Ben Schwartz, Emily Hampshire, Arturo Castro (World Premiere)
Over Your Dead Body
Director: Jorma Taccone, Producers: Kelly McCormick, David Leitch, Lee Kim, Guy Danella, Nick Spicer, Aram Tertzakian, Screenwriters: Nick Kocher, Brian McElhaney
A dysfunctional couple head to a remote cabin to supposedly reconnect, but each has secret plans to kill the other. Cast: Samara Weaving, Jason Segel, Timothy Olyphant, Juliette Lewis, Paul Guilfoyle, Keith Jardine (World Premiere)
Ready or Not 2: Here I Come
Directors: Matt Bettinelli-Olpin, Tyler Gillett, Producers: Tripp Vinson, James Vanderbilt, William Sherak, Bradley J. Fischer, Screenwriters: Guy Busick, R. Christopher Murphy
After surviving the Le Domas attack, Grace faces the next level of the deadly game – now with her estranged sister Faith. With four rival families hunting them, Grace must survive, protect her sister, and claim the High Seat that rules it all. Cast: Samara Weaving, Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, Néstor Carbonell, David Cronenberg, Elijah Wood (World Premiere)
They Will Kill You
Director: Kirill Sokolov, Producers: Andy Muschietti, Barbara Muschietti, Dan Kagan, Screenwriters: Kirill Sokolov, Alex Litvak
A high-octane horror-action-comedy in which a woman must survive the night at the Virgil, a demonic cult’s mysterious, twisted death-trap, before becoming their next offering in a uniquely brazen battle of epic kills and wickedly dark humor. Cast: Zazie Beetz, Myha’La, Paterson Joseph, Tom Felton, Heather Graham, Patricia Arquette (World Premiere)
MIDNIGHTER
Exciting after-dark features for genre lovers and the terminally curious.
American Dollhouse
Director/Screenwriter: John Valley, Producers: David Axe, Samuel Butler, Shane Greb
Caught between a grotesque Christmas fantasy and her own childhood trauma, a woman’s search for a fresh start in her home town is violently interrupted by a psychopathic neighbor. Cast: Hailley Lauren, Kelsey Pribilski, Tinus Seaux, Danielle Evon Ploeger, Richard C. Jones (World Premiere)
Drag
Directors/Screenwriters: Raviv Ullman, Greg Yagolnitzer, Producers: Jake DeVito, Lucy DeVito, Danny DeVito
A routine robbery at a rural house turns into a nightmare for two amateur burglars when one of them throws out her back. Things spiral out of control as they try to escape before the homeowner returns. Cast: Lizzy Caplan, Lucy DeVito, John Stamos, Christine Ko (World Premiere)
Fifteen (Argentina, Mexico)
Directors: Jack Zagha, Yossy Zagha, Producers: Jack Zagha, Yossy Zagha, Elsa Reyes, Valentín Javier Diment, Vanesa Pagani, Screenwriters: Andrzej Rattinger, Ricardo Álvarez Canales
A Mexican girl’s quinceañera spirals into chaos when supernatural rumors and small-town gossip collide, forcing her to face adulthood sooner than expected. Cast: Greta Marti, Macarena Oz, Aminta Ireta, Martha Claudia Moreno, Enrique Arreola, Mercedes Hernández, Malena Sandy, Cloe Juresa Furgan, Andre Fajardo, Silvia Villazur (World Premiere)
Grind
Directors: Brea Grant, Ed Dougherty, Chelsea Stardust, Producer: Chelsea Stardust, Screenwriters: Brea Grant, Ed Dougherty
Four interconnected tales of workplace horror tackle the most terrifying aspect of modern life: making a living! With a wild tone as darkly comic as it is relevant, Grind is the most fun you’ll have in a late stage capitalistic hellscape. Cast: Rob Huebel, Barbara Crampton, Vinny Thomas, Jessika Van, Christopher Rodriguez-Marquette, James Urbaniak, Courtney Pauroso, Jon Gabrus, Ify Nwadiwe, Aubrey Shea (World Premiere)
Imposters
Director/Screenwriter: Caleb J Phillips, Producers: Thomas Bond, Sara Seligman, Joe Bandelli
After a couple’s baby boy is taken, the desperate mother learns of a way to bring him back. However, her husband begins to suspect that what she returned with isn’t their son. Cast: Jessica Rothe, Charlie Barnett, Yul Vazquez, Bates Wilder, Luisina Quarleri, Thomas Parobek, Ian Lyons, Taylor Karin, Lee Bennett, Declan Bennett (World Premiere)
Monitor
Directors/Screenwriters: Matt Black, Ryan Polly, Producers: Marty Bowen, Wyck Godfrey, Isaac Klausner, John Fischer, Adrian Guerra
A social media moderator unleashes a deadly terror when she refuses to publish a cryptic video. Cast: Brittany O’Grady, Taz Skylar, Viveik Karla, Ines Høysæter Asserson, Gunner Willis, Sara Alexander, Camila Wahlgren (World Premiere)
Never After Dark (Japan)
Director/Screenwriter: Dave Boyle, Producers: Dave Boyle, Kento Kaku, Kosuke Tsutsumi
A medium travels deep into the Japanese countryside to perform a routine exorcism, where she is forced to confront the most terrifying enemy of all: the living. Cast: Moeka Hoshi, Kento Kaku, Kurumi Inagaki, Mutsuo Yoshioka, Bokuzo Masana, Tae Kimura (World Premiere)
NARRATIVE SPOTLIGHT
Unforgettable features receiving their World, North American, or U.S. premieres.
Family Movie
Directors: Kyra Sedgwick, Kevin Bacon, Producers: Kevin Bacon, Kyra Sedgwick, Sosie Bacon, Travis Bacon, Vince Jolivette, Casey Durant, Greg Lauritano, Russell Wayne Groves, Screenwriter: Dan Beers
A filmmaking family’s low-budget horror movie turns into a real-life slasher when a dead body shows up on set. Chaos ensues as the Smiths fight to keep the production on track. After all – the show must go on! Cast: Kevin Bacon, Kyra Sedgwick, Sosie Bacon, Travis Bacon, Liza Koshy, John Carroll Lynch, Jackie Earle Haley, Andrea Savage, Austin Amelio, Scoot McNairy (World Premiere)
Forbidden Fruits
Director: Meredith Alloway, Producers: Mason Novick, Mary Anne Waterhouse, Diablo Cody, Trent Hubbard, Screenwriters: Meredith Alloway, Lily Houghton
Free Eden employee Apple leads a secret witch cult with coworkers Cherry and Fig. New hire Pumpkin questions their sisterhood, forcing them to confront inner darkness or meet violent ends. Cast: Lola Tung, Victoria Pedretti, Lili Reinhart, Alexandra Shipp, Emma Chamberlain, Gabrielle Union (World Premiere)
Pizza Movie
Directors/Screenwriters: Brian McElhaney, Nick Kocher, Producers: Jeremy Garelick, Will Phelps, Billy Rosenberg, Jason Zaro, Molle DeBartolo, Max A. Butler
A group of college students go downstairs to their dorm lobby to get a delivery pizza. There’s only one issue: They’re insanely high on a home-made drug, turning their simple journey down two sets of stairs into a mind-bendingly transformative quest. Cast: Gaten Matarazzo, Sean Giambrone, Lulu Wilson, Jack Martin, Peyton Elizabeth Lee, Marcus Scribner, Caleb Hearon, Sarah Sherman, Miguel-Andres Garcia, Justin Cooley (World Premiere)
NARRATIVE FEATURE COMPETITION
World premieres showcasing the art of storytelling by emerging voices.
Sender
Director/Screenwriter: Russell Goldman, Producers: Jamie Lee Curtis, Molly Hallam, Jake KatofskyAfter receiving a series of unwanted packages containing unnervingly targeted items, a woman tumbles down a paranoid rabbit hole to find her mysterious sender. Cast: Britt Lower, Rhea Seehorn, Jamie Lee Curtis, Anna Baryshnikov, David Dastmalchian, Utkarsh Ambudkar, Mike Mitchell, Edward Torres, Alyssa Limperis, Inger Stratton (World Premiere)
FESTVAL FAVORITE
Acclaimed standouts from festivals around the world.
Obsession
Director/Screenwriter: Curry Barker, Producers: James Harris, Haley Nicole Johnson, Christian Mercuri, Roman Viaris
After breaking the mysterious “One Wish Willow” to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price. Cast: Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless, Andy Richter
VISIONS
Audacious, risk-taking films that demonstrate innovation and creativity.
And Her Body Was Never Found
Director: Polaris Banks, Producers: Polaris Banks, Mor Cohen, Hilarion Banks, Screenwriters: Polaris Banks, Mor Cohen
A couple treks deep into the wilderness to make a movie about their troubled relationship, but takes the opportunity to kill each other instead. Cast: Mor Cohen, Polaris Banks, Grae Drake (World Premiere)
DOCUMENTARY SPOTLIGHT
Incredible features receiving their World, North American, or U.S. premieres.
Black Zombie (Canada)
Director/Screenwriter: Maya Annik Bedward, Producers: Maya Annik Bedward, Hannah Donegan, Kate Fraser
From the flickering screens of Hollywood horror, to the haunted cane fields of colonial Haiti, Black Zombie unearths the buried origins of the zombie, reclaiming it as a symbol of survival and spiritual resistance. Featuring Yves-Grégory Francois, Anderson Mojica, Erol Josué, Mambo Labelle Déese Botanica, Slash, Tom Savini, Tananarive Due, Zandashé Brown (World Premiere)
Found footage movies rely on immersion and a particular kind of suspension of disbelief in order to scare viewers, so it stands to reason that playing along with the “kayfabe” of it all is necessary for these movies to be effective. However, despite being something of a purist when it comes to in-universe recordings, I’ve come to accept that traditional productions can benefit from the occasional injection of found footage thrills.
For instance, Kane Parsons’ Backrooms adaptation makes genius use of the analog gimmick in order to trap us in the titular rooms alongside our main characters before effortlessly switching back to a more cinematic language. In honor of these dynamic films that manage to combine the best of both worlds, today I’d like to share six other hybrid horror movies that successfully incorporate found footage into their scares!
For the purposes of this list, “hybrid” horror movies are defined as any flick that shifts between diegetic recordings and traditional filming techniques for a significant amount of time (or at least for pivotal scenes).
As usual, don’t forget to comment below with your own hybrid favorites if you think a particularly freaky one was missed.
With that out of the way, onto the list!
5. The Last Broadcast (1998)
Internet critics may have overstated the influence that Stefan Avalos and Lance Weiler’s The Last Broadcast had on The Blair Witch Project, but the found footage subgenre still owes a huge debt to this underrated piece of avant-garde filmmaking. However, while the movie sets itself up as a documentary about the disappearance of a group of cryptid-hunters attempting to track down the Jersey Devil, things take a darker and much more grounded turn towards the final act.
I won’t get into details in order to avoid spoilers, but suffice to say that the jarring shift in perspective actually helps to sell the idea that everything we’ve seen before the finale was an attempt at using filmmaking to manipulate the public perception of a “real” incident.
Not bad for a movie with a $900 budget!
4. Cam (2018)
When you consider just how much the internet affects our daily lives, it’s strange that we don’t see Screenlife elements pop up in more movies these days. For instance, Isa Mazzei & Daniel Goldhaber’s highly underrated Cam only works as a freaky parable about online sex-work because it masterfully balances Madeline Brewer’s intimate moments with highly immersive segments within cyberspace.
While one might argue that the entire film could have been produced as a Screenlife experience, the hybrid approach allows the filmmakers to explore our main character’s life beyond the screens – with the duality of modern human existence actually becoming a recurring theme in the story.
3. Banshee Chapter (2013)
Most of H.P. Lovecraft’s popular stories were told in the epistolary format (where the text is presented as an in-universe compilation of letters or personal notes), so it makes sense that a spiritually faithful adaptation of his work would incorporate elements from the modern-day equivalent to epistolary fiction – found footage!
That’s why Blair Erickson’s Banshee Chapter is such an effective scare-fest, as this hybrid adaptation of From Beyond -retold through a conspiratorial lens as it references MK-Ultra and even secretive numbers stations- immerses viewers in a mind-bending tapestry of Cosmic Horror that blurs the line between fiction and reality.
2. The Deep House (2019)
The underwater setting does a lot of the heavy lifting when it comes to Alexandre Bustillo and Julien Maury’s The Deep House, with the film being especially uncomfortable if you’re already scared of tight spaces and being deprived of oxygen. However, even the universally unsettling elements of the flick only work because the POV often shifts into claustrophobic footage courtesy of our main characters’ GoPro cameras.
Telling the story of a couple of YouTubers who encounter a haunted house at the bottom of an artificial lake while vacationing in France, The Deep House’s first-person exploration sequences contain some of the film’s scariest moments. In fact, I’d argue that the movie didn’t even need ghosts, as becoming trapped in the titular House already sounds like a fate worse than death.
1. Behind The Mask: The Rise of Leslie Vernon (2006)
My personal favorite instance of filmmakers successfully managing to combine traditional cinematography with POV filmmaking, Behind the Mask: The Rise of Leslie Vernon, is proof that the two formats can co-exist if the right story comes along.
After all, what better way to conclude a mockumentary all about reality getting increasingly more cinematic than by ditching the found footage gimmick altogether during the finale? Not only does this shift in presentation work on a conceptual level, but it also elevates Behind The Mask into a proper Slasher, which is probably why we’re so excited for that long-overdue sequel!
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