Movies
‘Scream 7’ Gets Six New Official Posters With Tickets on Sale NOW
The Scream franchise celebrates its landmark 30th anniversary with brand new installment Scream 7 this month, and tickets for Ghostface’s return just went up for grabs this morning.
Get your Scream 7 tickets now and check out the new official posters below!
Ghostface comes knocking on Sidney’s (Neve Campbell) door one more time when the latest installment in the hit slasher saga hits theaters — including IMAX, Dolby Cinema, 4DX, and other premium large formats — on February 27, 2026 via Paramount.
You can see the film one night early as part of a special opening night fan event on February 26. Ticketholders get a free collector’s print paying tribute to the iconic original Scream poster.
In Scream 7, when a new Ghostface killer emerges in the quiet town where Sidney Prescott has built a new life, her darkest fears are realized as her daughter becomes the next target.
Determined to protect her family, Sidney must face the horrors of her past to put an end to the bloodshed once and for all.
Neve Campbell returns alongside franchise veterans Courteney Cox, David Arquette, Matthew Lillard, Scott Foley, Mason Gooding, and Jasmin Savoy Brown.
Isabel May, Anna Camp, Joel McHale, Mckenna Grace, Michelle Randolph, Jimmy Tatro, Asa Germann, Celeste O’Connor, Sam Rechner, Ethan Embry, Timothy Simons, and Mark Consuelos round out the cast for Scream 7.
Kevin Williamson – who of course penned Scream, Scream 2, and Scream 4 — directs Scream 7 from a script he co-wrote with Guy Busick (Scream 2022, Scream VI).
Artist: Creepy Duck Design
Artist: Creepy Duck Design
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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