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Celebrating “Stranger Things”: Eight Albums That Came Out in 1983

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Netflix’s “Stranger Things” has become one of the most beloved titles of the year, at least according to my social media feeds. Pretty much everyone is obsessed with the series and the charming way it follows four children in search of their missing friend. But another part of the show that seems to leave everyone smitten is the nostalgia factor of it being set in the 80’s. From the movie posters on the walls to the way it channels films such as Stand By Me or E.T. the Extra-Terrestrial, the show embraces everything that many of us grew up with and it feels almost like a return to our youth, to a simpler time when Saturday morning cartoons were the most exciting part of the week.

Related: “Stranger Things” Just Raised the Bar for the Upcoming ‘It’ Adaptation

One of the big talking points of the show is the music. While I’m not going to focus on the original music from composers Kyle Dixon and Michael Stein here – I’ve got something else up my sleeves coming for that – I did want to keep the nostalgia train going, which is why I’m highlighting eight noteworthy albums from 1983.

Some of you might be asking why eight albums and why 1983? Well, the show takes place in that year and there are eight episodes, so boom. It’s honestly that simple!

Join me below for a trip down memory lane!


Depeche Mode – Construction Time Again

The UK band’s third album saw the introduction of a somewhat darker flavor, a theme that would run throughout their career and help launch them into super stardom as one of the top selling electronic acts in the world.


Journey – Frontiers

This is the Journey album that spawned “Separate Ways (Worlds Apart)”. Eventually going platinum six times, Frontiers is considered by some to be one of the best rock albums ever released.


Iron Maiden – Piece of Mind

Up the Irons! Maiden’s fourth album spawned the single “The Trooper” and has ended up on “Best Metal Album” lists from various publications throughout the years. How can you go wrong by adding some Iron Maiden into your life?


Metallica – Kill ‘Em All

The first album from what would become the biggest selling band in metal history, Kill ‘Em All is a shining example of pure, raw thrash metal. Put on “The Four Horsemen” and headbang straight into “The Upside-Down”.


Tom Waits – Swordfishtrombones

A master at storytelling through music, Tom Wait’s gravely voice has enchanted listeners for decades. Below is “Soldier’s Things”, one of my favorite tracks of his. It perfectly marries a heartbreaking melody with pure poetry for lyrics.


Genesis – Genesis

This was the group’s 12th album, which only makes it all the more amazing that it did so well on the charts. The song “Mama” may have been the best charting single from the album but I’ll never get sick of the groovy swagger found in “That’s All”.


Cyndi Lauper – She’s So Unusual

Pure, unabashed fun. Seriously though, is there any other way to describe this album? “Girls Just Wanna Have Fun” remains one of the greatest anthems from that decade and still ranks as one of the most popular tracks from that era. Personal statement: It’s also one of the first tracks I learned to play on guitar. I still strum out those chords now and again.


Dio – Holy Diver

Coming back to metal, how could I possibly ignore one of, if not THE greatest vocalists in the genre’s history? Their debut album, Holy Diver is one of those “must-listen” albums for one to truly appreciate music as a whole. It’s impact is still felt today, as evidenced by “Holy Diver” being one of Killswitch Engage’s most popular tracks, even though it’s a cover.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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