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Here’s the Artwork and Information for the ‘Twin Peaks’ Vinyl OST
Back in early 2014, we posted that Death Waltz would be releasing the vinyl soundtrack to the murder mystery TV series “Twin Peaks“, which was composed by Angelo Badalamenti. Since then, there had been pretty much a lot of radio silence on the title due to multiple factors, including the necessity for director/co-creator David Lynch to approve the artwork. But today marks the day we get to see what’s in store for us as well as a date for when we can buy the record…and it’s sooner than you think!
Coming this Wednesday via Mondo will be the vinyl, which comes on 180g “damn fine coffee color” vinyl. The packaging includes artwork by Sam Smith and includes sleeve notes from Badalamenti, who states, “I’m glad that after 25 years, Death Waltz Recording Company has re-released the original soundtrack for Twin Peaks for a new audience to enjoy. This is my defining work as a composer and I’m happy it will get a fresh listen.”
Below is the artwork and a look at the record itself, courtesy of WelcomeToTwinPeaks.
Diane, you damn well better believe that I’ll be picking up a copy as this is something I’ve been waiting YEARS for. Time to get my coffee pot brewing and enter the Black Lodge.
Track list:
Side 1
Twin Peaks Theme
Laura Palmer’s Theme
Audrey’s Dance
The Nightingale
Freshly Squeezed
Side 2
The Bookhouse Boys
Into The Night
Night Life In Twin Peaks
Dance Of The Dream Man
Love Theme From Twin Peaks
Falling
Director-approved artwork by Sam Smith
Layout by Jay Shaw
Sleeve notes By Angelo Badalamenti
Vinyl re-master by Tal Miller
Lacquers cut by David Cheppa at Plush Vinyl
180G damn fine coffee color vinyl
425gsm gatefold sleeve housed inside a bespoke white die cut outer jacket with white spot varnish finish, complete with obi strip
Exclusives
‘A Man in the Woods With an Axe’ – First Look at ’80s Throwback Slasher [Exclusive]
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.

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