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“Tubular Bells” Won’t Be in Fox’s “The Exorcist” All That Often

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Mike Oldfield’s “Tubular Bells” was appropriated into perhaps one of the most iconic horror themes ever imagined when it was used in William Friedkin’s 1973 classic The Exorcist. The slight offset of the 6/8 theme wonderfully sets up the uncertainty and tension that follows throughout the film. However, it appears that FOX’s upcoming TV series adaptation of the beloved movie won’t make strong use of Oldfield’s theme and it all boils down to money.

Executive producer Jeremy Slater told the Television Critics Association, “I don’t think you’ll be hearing it too many times in the future, because it costs a fair chunk of change every time it shows up,” per TheWrap. But that doesn’t mean that we won’t be hearing it, it’ll just be used tastefully and when the budget allows for it.

Meanwhile, Slater wanted to make it very clear that the show is NOT a remake.

If you watch the pilot, you’ll see that we have some…homages to some of the famous moments [from the film]. You’ll see there’s a scene where they reference the original exorcisms in Georgetown. That’s our way of letting fans know that the story you love isn’t being written out of existence. [But] this is a new story with new characters that takes place in the same universe as the original film.

Alan Ruck plays Henry, the Rance family’s patriarch. Once a successful civil engineer, Henry suffered a traumatic accident that left him permanently impaired. Now he finds himself a prisoner inside his own body, frustrated by his lack of progress and his inability to help his family in their time of need. Despite all this, he remains a warm, loving presence, and someone who will go to any lengths to protect the ones he loves.

Ruck will co-star alongside Herrera, Daniels, Geena Davis as matriarch Angela Rance, Brianne Howey as elder daughter Katherine Rance, Hannah Kasulka as younger daughter Casey Rance, Kurt Egyiawan as Brother Bennett.

“The Exorcist” pilot was written by Jeremy Slater and directed by Rupert Wyatt. The two executive produces with Rolin Jones, James Robinson, David Robinson, Barbara Wall and Roy Lee. 20th TV produces with Morgan Creek Prods.

“The Exorcist” debuts Friday, September 23rd at 9pm.

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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