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Sax Man from ‘The Lost Boys’ is Taking His New Album “Blood on the Reed” on Tour!

Published

5 years ago

on

We still believe. Do you?

Musician Tim Cappello has a pretty fantastic bio on Wikipedia, the website describing that he’s “notable for his muscular physique, his sexually provocative movements during his performances and for his tendency to perform shirtless, with his skin oiled and hair in a ponytail.” All of that goodness is on display in The Lost Boys, wherein he played “Sax Man”!

Over 30 years after the release of The Lost Boys, Cappello recently put out his very first solo album, titled Blood on the Reed. Over on Cappello’s website, you can grab the album in the form of an MP3 file or on CD, the latter of which he will sign and personalize for you. If you’d rather see him live, you’ll be happy to hear that he’s now taking the album on tour!

The U.S. tour kicks off in Philadelphia on July 12th and finishes up in Atlanta on August 28th.

Dates and venues, announced today, include:

  • Fri July 12 – Philadelphia Pa – PhilaMoca
  • Fri July 19 – Austintown Oh – El Cowboy
  • Sat July 20 – Detroit Mi – City Club
  • Wed July 24 – Chicago – G Man Tavern
  • Fri July 26 – Des Moines Ia – The Fremont
  • Sat July 27 – Omaha Ne – The Sydney
  • Wed July 31 – Denver Co – Your Mom’s House 6PM
  • Fri Aug 2 – Salt Lake City Ut – Sugarspace
  • Wed Aug 7 – Seattle Wa – The Funhouse
  • Fri Aug 9 – Portland Or – The Lovecraft Bar
  • Wed Aug 14 – Santa Cruz Ca – The Blue Lagoon
  • Fri Aug 16 – Hollywood Ca – The Whisky A Go Go
  • Sat Aug 17 – Las Vegas Nv – 172 @ Rio Las Vegas
  • Fri Aug 23 – Dallas Tx – Three Links Deep Ellum
  • Sat Aug 24 – Austin Tx – The Lost Well
  • Wed Aug 28 – Atlanta Ga – The Masquerade

Cappello describes the album, “It’s definitely a rocker, but with a funky twist. It’s mostly classic songs I love to play live and twist them around a bit (and of course it includes a brand spanking new jammed-out version of I Still Believe).”

“This really is a labor of love for me,” he adds. “I played pretty much every note on the record with some notable exceptions. Joan Cappello sang the background vocals with me, and on I Still Believe, I had lots of help. Michael Mancini produced it and played keyboards. Sammy Merendino played the drums, and Glenn Alexander played guitar.”

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Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

Published

2 weeks ago

on

April 9, 2024

By

John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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