Connect with us

Music

[Listen] Converge Collaborates With Chelsea Wolfe on ‘Bloodmoon: 1’; Release Sprawling Single & Video for “Blood Moon”!

Published

on

If the Emma Ruth Rundle x Thou collaboration May Our Chambers Be Full wasn’t badass enough, Converge has collaborated with the great Chelsea Wolfe on a brand new full-length album, Bloodmoon: 1, out digitally November 19th and on CD/Digital & on vinyl June 24th.

“We wanted to do something grander than the typical four-piece Converge music,” says Converge vocalist Jacob Bannon in reference to the inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm, and Cave In vocalist/guitarist Stephen Brodsky.

Along with the album announcement comes the band’s first single, the sprawling, doom-heavy epic “Blood Moon”.

From the press release:

“The collaboration first began in 2016 at Roadburn festival in The Netherlands where the seven-piece performed revamped Converge material under the name Blood Moon. The energy and rapturously received appearance inspired the group to want to make music together, though it would take several years before their schedules allowed. In late 2019, they were finally able to begin working on new material together at Converge guitarist Kurt Ballou’s God City Studio in Salem, Massachusetts. Future sessions were planned for 2020 but the pandemic would see the remainder of the record be finished remotely.

Produced by Ballou, Bloodmoon: I is a harrowing and atmospheric collaborative effort that sees each performer working together and outside the comfort zones in order to create something that is truly unique to the project. “I feel like everyone just kept the music in mind and wanted to do what’s best for the song,” notes Brodsky.

“The project stretched my vocals in new ways. It’s so different than what I normally sing over that I was able to open up and be vulnerable with my vocals,” says Chelsea Wolfe. “Our dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding,” adds Bannon.

Pre-order Bloodmoon: I here.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

Published

on

John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

Continue Reading