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VOWWS Tease Booming New Single and Music Video for “One by One”!

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VOWWS, the Los Angeles-based Australian duo heavily inspired by Quentin Tarantino and horror movie scores, is teasing a brand new single and music video ahead of their North American tour later this year.

The band announced today “One by One” is set for release on February 18th.

The video for “One by One” was shot on 35mm film and directed by frequent collaborator Jordan Hemingway (Wolf Alice, Travis Scott, Yves Tumor, Comme des Garçons), as well as being edited by VOWWS singer-keyboardist Rizz.

With the announcement comes a haunting teaser for the video that promises a booming return for VOWWS and their unique “Death-Pop” sound.

The “One by One” single also includes a B-side, “Shadow Man” – together they represent two sides of the same state of mind. As the world struggles toward its 3rd year of a near-permanent state of upheaval, “One by One” reflects a manic, self-righteous and blissfully deluded march towards hedonistic self-destruction, notes the press release, while “Shadow Man” is the introspective come down; an attempt to find meaning and redemption in the wreckage.


“’One by One’ is about the lies we tell ourselves to make sense of our lives,” explains singer-guitarist Matt James. “If we start believing them too much, eventually they can take us over. By thinking we can have everything we want all the time, anytime, forever, and be righteous while doing it – these appetites will eventually consume us and define us, leaving us with nothing real. Shadow Man is the aftermath…it’s no less confused but it’s looking around wondering what went wrong.”

“We’re both fans of films that capture the desert in a dark, mystical, lawless style,” adds Rizz, citing Natural Born Killers, From Dusk Till Dawn, and that cowboy scene from Mullholland Drive as influences.

“It was the most insane shoot we’ve ever done, we drove out the middle of nowhere with no crew and shot for 24 hours straight. We were hauling 35mm cameras across sketchy landscape covered in broken glass and like, your feet would suddenly sink into some creature hole.

“We had extremely limited resources and everything that could go wrong went wrong, but everyone’s commitment to making it work was inspiring. As long as you have a vision & your heart’s in the right place, you don’t need food or water after all.”

VOWWS has been backed by Deftones frontman Chino Moreno and was on tour with Poppy before the pandemic hit. They’re an extremely do-it-yourself band that produces, directs and edits the majority of their own music videos that nearly all carry that grim lo-fi VHS aesthetic many of us love.

In 2020 VOWWS released multiple singles with must-see videos“Impulse Control”, “Them” and “Stay Where You Are” all reflecting the monotonous, confusing and relentless dystopia of the year everything changed. In June 2021 the band released a cover of the Britney Spears hit, “Womanizer”, and are working on their 3rd full-length album, set for release in 2022.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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