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‘The Ring’ – Hans Zimmer’s Original Score Released for the First Time EVER by Waxwork Records!

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In celebration of its 20th Anniversary, Waxwork Records releases The Ring Original Motion Picture Music by Hans Zimmer! This long-anticipated release marks the first time that The Ring will be available on vinyl!

The Ring is a 2002 supernatural horror film directed by Gore Verbinski and starring Naomi Watts and Brian Cox. It is a remake of Hideo Nakata’s 1998 Japanese horror film Ringu, based on Koji Suzuki’s 1991 eponymous novel. The plot follows a journalist who investigates an urban legend of a cursed videotape that seemingly kills the viewer seven days after watching it.

The Ring was released on October 18, 2002, to positive reviews praising its atmosphere, visuals, and Watt’s performance. It is one of the highest-grossing horror remakes and paved the way for English-language remakes of other Asian horror films such as The Grudge and Dark Water.

The score composed by Hans Zimmer is a dark symphonic orchestration that shifts from ghostly and melancholic to frightening and terror-stricken. Constructed from a base of a piano, violins, synthesizer, and two cellos, Zimmer’s score is thoroughly effective in bringing the listener into the haunting space that is The Ring with dreadfully anxious strings, mournful keys, and rolling percussion. Zimmer creates a shadowy ambiance that pulls you into the gripping ghost story.

Waxwork Records is thrilled to present the full score to The Ring composed by Hans Zimmer for the very first time on vinyl as a deluxe double LP for the film’s 20th Anniversary. Featuring 180-gram “Samara & The Well” Green & Black Marbled Vinyl and “Cursed VHS Tape” Black with White Splatter Colored Vinyl, heavyweight gatefold jackets with matte satin coating, new art and design by Matt Needle, exclusive liner notes by director Gore Verbinski, a 12”x12” printed insert, and enthusiastic album packaging approvals from director Verbinski and composer Hans Zimmer.

THE RING 20th Anniversary Original Motion Picture Score Features:

  • The Complete Score By Hans Zimmer
  • Available For The First Time On Vinyl
  • 180 Gram “Samara & The Well” Green & Black Marbled Vinyl (A/B Disc)
  • 180 Gram “Cursed VHS Tape” Black with White Splatter Vinyl (C/D Disc)
  • Heavyweight Gatefold Jackets with Matte Satin Coating
  • Exclusive Liner Notes by Director Gore Verbinski
  • 12”x12” Printed Insert
  • Approvals From Director Verbinski and Composer Hans Zimmer

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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