Music
“The Horror of Dolores Roach” – Listen to Cyndi Lauper’s New Song “Oh Dolores” for the Series
Prime Video’s cannibal dramedy series “The Horror of Dolores Roach,” based on the hit Gimlet podcast, is available to stream now. To celebrate, they’ve released Cyndi Lauper‘s new single “Oh Dolores” for the series, for your listening pleasure.
The pop queen behind “Girls Just Want to Have Fun” didn’t just create a brand new track inspired by the Sweeney Todd-like series, Lauper also appears in the series as a private investigator named Ruthie.
Lauper’s new song for the series “Oh, Dolores” is now available on all digital platforms. Co-written by Cyndi Lauper and Ben Hopkins, and produced and performed by Lauper, the song release coincides with the series premiere
The eight-episode, half-hour series is a contemporary Sweeney Todd-inspired tale, a macabre urban legend of love, betrayal, weed, gentrification, cannibalism, and survival of the fittest.
In the series, “Dolores Roach is released from prison after 16 years and returns to a severely gentrified Washington Heights with $200 and the clothes on her back. Her boyfriend missing, her family long gone, Dolores reunites with an old stoner buddy, Luis, who gives her room and board and lets her give massages for cash in the basement under his dilapidated storefront, Empanada Loca, the only remnant of her former life. When the promise of her newfound stability is quickly threatened, ‘Magic Hands Dolores’ is driven to shocking extremes to survive, and in the face of unexpected professional success, Dolores and Luis become dangerously symbiotic, and Luis must unleash his own peculiar predilections.”
“The Horror of Dolores Roach” also stars Alejandro Hernandez, Kita Updike, and K. Todd Freeman. Plus Marc Maron (“Glow”), Jean Yoon (Kim’s Convenience), Judy Reyes (Smile, Birth/Rebirth), and Jeffery Self (“Search Party“).
Originally created by Aaron Mark as a one-woman play, Empanada Loca, Mark created, wrote, and directed the original podcast and penned the series pilot script. The new series comes from Mark, who also serves as co-showrunner and executive producer with Dara Resnik, alongside executive producers Daphne Rubin-Vega; Jason Blum, Chris McCumber, Jeremy Gold, and Chris Dickie for Blumhouse Television; Dawn Ostroff, Mimi O’Donnell, and Justin McGoldrick for Spotify; Gloria Calderón Kellett for GloNation Studios; and Roxann Dawson, who directed the pilot.
“The Horror of Dolores Roach” is available on Prime Video now.
It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.
“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…
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