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AMERICAN CARNAGE TOUR Rescheduled!!!

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Slayer and Megadeth are thrilled to announce the new, confirmed routing for the American Carnage North American Tour, which will commence with the rescheduled Canadian Carnage East dates in Quebec City on Friday, July 23.  Slayer will then head to Europe for a run of festival dates, returning to kick off the American Carnage leg in Albany, NY on August 11.   American Carnage will play 26 dates across the United States and Eastern Canada up to the Labor Day weekend, ending in Portland, OR on September 4.  Testament will be Special Guest on all shows.  Tickets purchased for the American Carnage shows when they first went on sale late last year will be honored for these rescheduled dates.  Complete information regarding ticket sales can be found at www.slayer.netwww.megadeth.comwww.testamentlegiions.com

Due to venue availability and other conflicts, the shows originally scheduled in El Paso, Houston, Nashville, Duluth, and Louisville cannot be rescheduled at this time, and ticket holders may obtain refunds at point of purchase.  However, new cities have been added to the American Carnage itinerary, with dates now scheduled in Cleveland, Kansas City, San Diego, and Sacramento.  The confirmed, complete itinerary is below.
 
The American Carnage Tour, originally scheduled to take place in January and February, had to be put on hold due to Slayer’s vocalist/bassist, Tom Araya’s ongoing, minimally-invasive treatments for what was diagnosed as a Cervical Radiculopathy, an occupational hazard for the rocker who is known for aggressively swinging his long mane of hair while performing. Right after the first of the year, Araya made the difficult decision to undergo a surgical procedure, called an Anterior Cervical Discectomy with Fusion, a relatively routine practice with an excellent recovery rate.  That surgery took place early last week.
 
“The doctors said that Tom’s surgery went very smoothly and was a resounding success,” said Rick Sales, long-time Slayer manager.  “He’s home now, doing really well, and he said the numbness in his fingers had already diminished considerably.” 
 
Shortly after the surgery, Slayer’s Kerry King received a text from Tom:  “Awake and feeling good, actually whatever he did, it feels better.”
 
The American Carnage Tour will mark the first time that Slayer, Megadeth and Testament will have toured the U.S. together since 1991’s epic “Clash of the Titans” tour, making this truly a “must-see” event.
 
Slayer recently announced the rescheduling of its headline tour in the UK and Europe, and Megadeth and Testament are currently on tour together playing U.S. cities that will not be on the American Carnage itinerary.
 
Both Megadeth and Slayer will hit the road on July 23 in support of their most recent albums:  Megadeth’s 2009 album, ENDGAME, and Slayer’s World Painted Blood, the band’s 10th studio venture, which hit stores November 3, 2009.  Testament’s The Formation of Damnation:  Special Tour Edition, will be released on February 23, 2010 with special unreleased bonus tracks.
 
Slayer and Megadeth have already massacred territories together outside of the U.S., first with four explosive dates in June 2009 across Western Canada – “Canadian Carnage” – the first time the bands had toured together anywhere in 18 years – and then six co-headlining “Carnage” dates in Australia followed last October.
 
According to various Canadian press outlets last summer:  “It was a night of thrash impossible to trash…”  “Tales about war, death, destruction, Satan, aliens and serial killers have never been so much fun…”  “The two heavy metal heavyweights…went head-to-head on a level playing field.  Both bands brought their ‘A’ game.  And the results were anything but pretty – unless you include pretty freakin’ loud and pretty freakin’ awesome.”
 
Slayer.  The Chicago Tribune’s Greg Kot wrote that Slayer is “one of the great American rock bands of the last 30 years, forget about genre.”  Indeed, few bands come close to matching the intensity that Slayer – guitarists Kerry King and Jeff Hanneman, vocalist/bassist Tom Araya, and drummer Dave Lombardo – bring to its live shows, having been named “Best Live Band” by numerous media outlets including Revolver, SPIN, and Metal Hammer.  World Painted Blood offers a Slayer-ized point of view of our world – God’s terrifying global genocide, the chaos of our broken political system, the way-too-close proximity of world horrors that technology has brought us, and a chilling hypothesis of how the rest of the world might view America.  The album was recorded in Los Angeles over two time periods, during October 2008 and then between late January and March 2009.  World Painted Blood was produced by Greg Fidelman who has spent time in the studio with Metallica, the Gossip, the (International) Noise Conspiracy, Slipknot and others, and executive produced by long-time Slayer colleague Rick Rubin, who suggested Fidelman for the project. One reviewer called the album “the heaviest, bloodiest and best album in almost two decades.”  World Painted Blood landed on boatloads of U.S. and International “Best of” lists for 2009, and N.A.R.A.S. saw fit to bestow its fourth Grammy nomination on Slayer – Best Metal Performance for the WPB track, “Hate Worldwide.”   For “American Carnage,” Slayer’s Tom Araya promises, “no ballads, no acoustic numbers, no slow tempos.”
 
Megadeth.  2009 saw the release of ENDGAME, which has been heralded as Megadeth’s best album in years.  It’s the record where it all comes full circle in a career that has not only set standards in hard rock and metal, but defined them.  Megadeth’s signature shredding and rousing lyrics are the hallmarks of ENDGAME, with vocalist/guitarist Dave Mustaine once again musing and making declarations about the world we live in, having named the album after a government document that should strike fear in the hearts of Americans!  But that’s Mustaine and Megadeth, using the vehicle of music to shake things up, to make a point and to rattle your brain, literally, figuratively and sonically.  Revolver magazine said of ENDGAME, “One of their best albums.”  VH1’s ‘That Metal Show’ deemed it “One of the metal albums of the year,” and Popmatters said, “the record positively scorches with an intensity not heard since Rust in Peace.” The band was also awarded the eighth Grammy nomination of its career for “Head Crusher,” which serves as more proof that ENDGAME is quickly earning “essential” status in the Megadeth catalog. Megadeth will appear on the season premiere of VH1 Classic’s “That Metal Show,” which airs Saturday, February 6, at 11 PM EST. For the tour, Megadeth has teamed with ILoveAllAccess.com to offer Ultimate Fan Packages.  For more info go to  www.megadeth.com
 
 
Legendary thrash metal titans Testament, whose latest award-winning release (2008 Album of the Year, Metal Hammer’s Golden God Award) The Formation of Damnation, displays them as the quintessential modern heavy metal band, whose experience and accumulated skill allows them to attack with reserves of anger, energy and finesse that make them more powerful than ever.  Lead singer Chuck Billy says, “Uniting these bands is the heavy metal event of generations.  We are so proud to be a part of it.”
 
The complete, confirmed itinerary for the American Carnage North American Tour are as follows:
 
JULY
23         Pavillon de la Jeunesse, Quebec City, QC  CANADA
24         Heavy MTL, Parc Jean-Drapeau, Montreal, QC  CANADA
26         Metro Centre, Halifax, NS  CANADA
27         Moncton Coliseum, Moncton, NB  CANADA
29         Molson Amphitheatre, Toronto, ONT  CANADA
30         John Labatt Centre Center, London, ONT  CANADA
 
(Slayer European festivals)
 
AUGUST
11         Glens Falls Civic Center, Glens Falls, NY
12         Izod Center, East Rutherford, NJ
14         Tsongas Arena, Boston, MA
15         Susquehanna Bank Center, Camden, NJ
16         Chevrolet Theatre, Wallingford, CT
18         Tower City Amphitheatre, Cleveland, OH
19         Joe Louis Arena, Detroit,MI
20         UIC Pavillon, Chicago, IL
21         Roy Wilkins Auditorium, Minneapolis, MN
23         Cap Fed Park @Sandstone, Kansas City, KS
25         Magness Arena, Denver, CO
26         Tingley Coliseum, Albuquerque, NM
27         Dodge Theatre, Phoenix, AZ
29         Cricket Wireless Amphitheatre, San Diego, CA
30         Long Beach Arena, Long Beach, CA
31         Cow Palace, San Francisco, CA
 
SEPTEMBER 
 1         Arco Arena, Sacramento, CA
 3         Wamu Theatre, Seattle, WA
 4         Washington County Fairgrounds, Portland, OR

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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