Connect with us

Music

New Cradle of Filth Album Out In November

Published

14 years ago

on

One of the most infamous and notorious names in metal, Cradle of Filth, continue to shock, excite, disgust and inspire in equal measures. On November 9, 2010 in North America, the latest chapter of the band’s dark history will be released through Nuclear Blast USA.
Frederick Jude, Managing Director of Peaceville Records, comments on this upcoming cooperative effort: “Football aside, we’re pleased to be teaming up with Nuclear Blast on this very important release. Given their resources, interest in the band, and track record in the U.S., we believe Cradle of Filth will be best positioned to better the sales of their last album in North America.” 
Grammy-nominated Cradle of Filth have been pioneers of extreme music since their 1994 debut and have continued to evolve with each of their subsequent releases.  The band have continually refused to bow to convention or conform to prevalent trends and fads and have constantly sought to push the boundaries of their art.

Whether through their wildly elaborate & theatrical live shows (which incorporate giant lumbering puppets, fire-breathing dancers, freaks and stilt-walkers), provocative merchandise (including the now legendary ‘Jesus Is A C***’ t-shirt), breathtaking artwork, or the weighty subject matter of their albums (their latest told the story of a French Lord who fought alongside Joan Of Arc before embarking on a horrific killing spree), this is a band whose uncompromising stance has been rewarded with legions of fans around the world, making them the most successful British heavy metal band since Iron Maiden.
This month, vocalist Dani Filth, guitarists Paul Allender and James McIlroy, bassist David Pybus, drummer Martin Skaroupka and keyboard player Ashley Ellyllon enter Monkey Puzzle Studios near Bury St. Edmunds in Suffolk, England to begin work on the follow-up to 2008’s Godspeed On The Devil’s Thunder.  Loyal stalwarts to the satanic horror ethos, Cradle of Filth will compose another concept album, this time based on Adam’s first wife, the lascivious demoness Lilith.  Throwing medieval nuns, Knights Templars, Greek mythology, lashings of sex, occult lore, and violent bloodshed together into a creative milieu, the band are poised to create a darkly erotic nightmare set to their unique scope of supreme vampyric metal.
Related Topics:

Managing editor/music guy/social media fella of Bloody-Disgusting

Advertisement
Click to comment

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

Published

3 weeks ago

on

April 9, 2024

By

John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

Continue Reading