Movies
FINALLY Someone Notices ‘Disturbia’ IS ‘Rear Window’
Even when the film was coming out, the studio was telling people that the teen-thriller Disturbia was basically a remake of REAR WINDOW, only re-imagined. This morning we caught wind of an article on THR where it was revealed that a lawsuit has finally been filed contending that DreamWorks’ film is straight out plagiarism. We agree, let’s see what the courts rule. Read on for the story.
DreamWorks’ “Disturbia” is a rip-off of Alfred Hitchcock’s “Rear Window,” according to a lawsuit filed Monday in Manhattan federal court.
According to the Sheldon Abend Revocable Trust, which owns the rights to Cornell Woolrich’s short story “Murder From a Fixed Viewpoint,” Hitchcock legally obtained the rights to turn the short story into a big-screen thriller in 1953. However, the trust claims DreamWorks did not do the same.
The lawsuit contends that “Disturbia” and “Rear Window” are “essentially the same” stories. Both are murder mysteries solved by a man peering from his window and witnessing strange behavior by a neighbor.
The characters in the films — as well as the short story — are similar, and the plots unfold basically the same way, the lawsuit states.
“What the defendants have been unwilling to do openly, legitimately and legally, (they) have done surreptitiously, by their back-door use of the ‘Rear Window’ story without paying compensation,” the lawsuit states.
Also named as defendants are Steven Spielberg, who declined comment through a spokesman. Reps for DreamWorks parent company Viacom did not immediately comment.
Movies
‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’
Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.
Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.
After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.
Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.
“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”
“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”
Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.
Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.”