Movies
‘Let the Right One In’ Director Slams Remake
It was announced last week that CLOVERFIELD director Matt Reeves would be getting behind the camera for a remake of Let the Right One In for Hammer and Overture Films. Tomas Alfredson, the director of the original film hitting theaters October 24th from Magnet Releasing, talked a bit to MovieZine.se about his thoughts on remaking the film, which don’t sound all that optimistic.
MovieZine.se writes in:
“Several weeks before the Swedish premiere of horror flick Let the right one in, plans are being made of a remake helmed by Matt Reeves (“Cloverfield”).
Director Thomas Alfredson doesn’t seem all too happy, when MovieZine.se asks him. Why can’t they just read the subtitles?, he wonders.
– Remakes should be made of movies that aren’t very good, that gives you the chance to fix whatever has gone wrong. I’m very proud of my movie and think it’s great, but the Americans might be of an other opinion. The saddest thing for me would be to see that beautiful story made into something mainstream.
– I don’t like to whine, but of course – if you’d spent years on painting a picture, you’d hate to hear buzz about a copy even before your vernissage!”
What do you guys think? I would argue that most American won’t see a foreign film, especially if it’s subtitled. [REC] is a fantastic movie, but how many people will see it versus QUARANTINE, which is in English? I’m all for remaking foreign films, especially if you can do it good. And even if it ends up sucking, it doesn’t mean the original will be looked at the same way.
The Evil Dead universe expands this weekend with the arrival of Evil Dead Burn in theaters, unleashing a demonic siege upon a grieving family. Director Sébastien Vaniček doles out a gauntlet of pain from beginning to end, and that includes the credits.
While Evil Dead Rise skipped out on credit scenes, Evil Dead Burn follows 2013’s Evil Dead with the inclusion of a mid-credit scene and a post-credit scene, extending the Deadite mayhem to the very end.
Vaniček uses the mid-credit scene for levity, injecting one last punchline of gallows humor regarding the Price family. It also raises questions on where that carnage leads. But it’s the post-credit scene that holds larger franchise implications, sure to get fans talking.
It also doesn’t make much sense.
Warning: Major spoilers ahead!
Evil Dead Burn directly ties to Evil Dead Rise, with a possessed Jessica (portrayed in the new movie by Greta Van Den Brink) brutally dispatches a pair of fishermen before leaving the lake in search of those in possession of the Kandarian dagger: the Price family. Deadite Jessica kicks off a new wave of terror when she targets eldest son Will (George Pullar), using him as a Trojan horse into his family.
The Evil Dead Rise connections come full circle in Burn’s post-credit scene, bringing back a fan-favorite Deadite.
In this scene, the daughter of the cremator hired to handle Will’s remains gets curious about a shelf of unclaimed ashes. Among them are the ashes of Ellie Bixler. The girl, left alone while her mom is tending to a client, hears a voice she mistakes for her mother. It’s not.
The voice guides her to a mirror, where she sees not her reflection but that of Deadite Ellie (Alyssa Sutherland). Ellie wastes no time dispatching the child, claiming with a grin, “Mommy’s back.“
Sutherland’s Deadite performance remains a standout in this franchise, but Ellie’s appearance here doesn’t make much sense beyond fan service. Evil Dead Rise final girl Beth (Lily Sullivan) reduces Ellie, who’d assimilated into the Marauder, to a bloody pulp via tree shredder in the film’s climax. There’s not a lot of flesh or sinew left to cremate, to start. To really get into semantics, the Marauder was an amalgam of multiple Deadites in one, so separating her remains from, say, Danny’s (Morgan Davies) or the neighbors seems like an impossible task.
The Marauder in Evil Dead Rise
It’s also jarring in that Deadites tend to prefer to make their torment personal. Ellie has zero connection to this random child. To further nitpick, there are likely much closer crematoriums to Ellie’s home, even if the lake and Price household are in the general region.
Most of all, Vaniček plays so fast and loose with the Deadite possession rules that this scene breaks from the established norms in a confusing way. There’s no dagger here or incantation to summon a demon, so it’s not clear how just being in the presence of her ashes summons her here.
Does any of this really matter? Not at all. The haplessness of this scene’s inclusion doesn’t seem to suggest anything other than a fun momentary reprise of a fan favorite character. It does, however, seem to leave the door wide open for Ellie’s full return.
It’ll be a while before we find out if that is indeed the intention behind this scene; the next is Evil Dead Wrath from director Francis Galluppi (The Last Stop in Yuma County) set for theatrical release on April 7, 2028. It’ll predate all Evil Dead films with its 1972 setting.
Evil Dead Rise
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