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‘Let the Right One In’ Director Slams Remake

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It was announced last week that CLOVERFIELD director Matt Reeves would be getting behind the camera for a remake of Let the Right One In for Hammer and Overture Films. Tomas Alfredson, the director of the original film hitting theaters October 24th from Magnet Releasing, talked a bit to MovieZine.se about his thoughts on remaking the film, which don’t sound all that optimistic.
MovieZine.se writes in:

Several weeks before the Swedish premiere of horror flick Let the right one in, plans are being made of a remake helmed by Matt Reeves (“Cloverfield”).

Director Thomas Alfredson doesn’t seem all too happy, when MovieZine.se asks him. Why can’t they just read the subtitles?, he wonders.

– Remakes should be made of movies that aren’t very good, that gives you the chance to fix whatever has gone wrong. I’m very proud of my movie and think it’s great, but the Americans might be of an other opinion. The saddest thing for me would be to see that beautiful story made into something mainstream.

– I don’t like to whine, but of course – if you’d spent years on painting a picture, you’d hate to hear buzz about a copy even before your vernissage!

What do you guys think? I would argue that most American won’t see a foreign film, especially if it’s subtitled. [REC] is a fantastic movie, but how many people will see it versus QUARANTINE, which is in English? I’m all for remaking foreign films, especially if you can do it good. And even if it ends up sucking, it doesn’t mean the original will be looked at the same way.

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‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’

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Boorman and the Devil trailer

Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.

Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.

After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.

Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.

“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”

“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”

Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.

Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.

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