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Jennifer Carpenter on ‘Quarantine’

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Last January Bloody-Disgusting visited the set of Sony Screen Gems’ R-rated horror film, Quarantine, which arrives in theaters everywhere this Friday. While on set we had the opportunity to chat with star Jennifer Carpenter (Dexter, Exorcism of Emily Rose), who chatted with us about the difficulties of shooting the film, the real-life terrors in the plot and how she got to watch other people get their hands wet this time around. You can read it all inside. In addition, if you click over to BDTV, you can now watch a behind-the-scenes featurette, alongside the three clips we added last week.
Carpenter is no newbie to Sony Screen Gems as she starred in one of their most successful horror film, THE EXORCISM OF EMILY ROSE, which is how she got the early jump on the role in QUARANTINE.

I worked with Clint Culpepper who was producing on “Emily Rose”, so he sent the script over and sent the original over, and I turned on the original, watched maybe two or three minutes of it and called and said, ‘yeah, I want to do it.’

In the film arriving in theaters October 10th, Carpenter plays television reporter Angela Vidal, who becomes locked in an apartment complex during a routine call with the Los Angeles Fire Department.

QUARANTINE is a remake of the Spanish horror flick [REC] and brings something new to the genre.

I’m not sure that it will reinvent the genre,” Carpenter explains to Bloody-Disgusting on the set back in November of 2007. “It’s certainly a brand new way of making films. I mean, it’s 3 o’clock, we’ve all been here since 7 and haven’t gotten off with our shot yet. You’re shooting four pages in one take, so it happens a lot like real life happens. There are dead spaces you fill and you start “improving”, and you have to be completely awake and aware and listening in a way that is not as forgiving as when you’re stopping, coming in and doing coverage…. we aren’t that planned.

The fact that there are extremely long takes and a lot of room for improv make QUARANTINE a difficult film to shoot. Carpenter explains that it was also one of her hardest roles.

In a strange way, yeah [it’s the hardest role], especially after coming off from “Dexter” where it’s about pacing a day as well as pacing the story,” she continues, “This is about patience. In a lot of ways, it feels like I ran cross-country the night before the race; all the way up until the gun goes off, you have this adrenaline going and you’re telling your body “wait, wait, wait,” and then the gun goes off and you say, “Go!” It feels a lot like that. It’s a hard nerve to calm down, to control.

In EXORCISM OF EMILY ROSE Carpenter got her hands pretty dirty in the role of a girl possessed. In QUARANTINE, she gets to watch others jump in the dirt.

I love it because people sometimes come up to me and say that ‘Emily Rose’ scared them and that they lost sleep, and I apologize for my part in it, but this is exciting because this is closer to me and my life,” she explains. “I really get freaked out by this stuff. The whole last scene in [Quarantine] happens in one room, and I’ve asked to not be allowed in that room. I don’t want to meet anybody that’s going to be in the room, because it will be authentic. I’m going to be scared out of my mind. Everybody looks sweet and warm out here, but they’re going to turn it on and I’m going to be terrified.

It’s pretty terrifying that, hypothetically, this story could happen…

The scary thing about it is that they are locked in this building-normal people like you and me, and I’m assuming you are normal-but their rescue is right outside of a window pane. It is two stories down, and they can’t get out. They’re fighting for their lives, and their salvation is right outside the door…

You’ll be able to see everything through Carpenter’s eyes when the film arrives in theaters October 10.

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New Documentaries Explore the Cult Legacies of ‘The Keep’ and ‘Wolfen’; Watch the Trailers Now [Exclusive]

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The Keep and Wolfen documentary

Undersung werewolf gem Wolfen and Michael Mann’s The Keep get the spotlight in a pair of feature documentaries acquired by Antenna Releasing.

A World War II Fairy Tale, which covers the infamous production of and reception to The Keep, will receive a limited theatrical release in October, followed by a TVOD release on Apple/Amazon. The Keep will also screen as a double feature for some showings.

For Uncovering Wolfen, Antenna eyes a limited theatrical release for 2027. Both films are currently available for booking via Antenna prior to their theatrical and digital releases.

Both documentaries are directed by Stewart Buck, who co-helms with Stéphane Piter on A World War II Fairy Tale.

We at Antenna are obsessed with film history,said Chief Acquisitions Officer Billy Ray Brewton.Stewart has done such a remarkable job of really diving into the deepest recesses of how these films were made and, in doing so, has created the definitive histories of both projects.

We’re delighted to be partnering with Antenna Releasing!said director Buck.It’s refreshing to see a filmmaker-friendly approach to distribution with people who know what it’s like to be in the trenches with independent projects that struggle to find a home in the crowded marketplace.

Check out our exclusive trailer and poster reveal of both documentaries below.

Released in 1983, Michael Mann’s The Keep was a notorious box office bomb, critically lambasted and all but forgotten for years, save for the fascination with Tangerine Dream’s iconic score. In recent years, the film has enjoyed a bit of a resurgence and is widely considered a cult classic, though director Michael Mann and many cast members refuse to acknowledge it.

Wolfen, on the other hand, was critical success but was overshadowed heavily by its flashier 1981 siblings An American Werewolf in London and The Howling. It’s also a trailblazer for socio-political horror, and the doc will explore that via the craftspeople who made it.

Look for them both in theaters soon. Stay tuned for more as it arrives.

 

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