Movies
Kevin Smith’s ‘Red State’ Not Commercial Enough
While Kevin Smith’s out and about promoting his latest dick and fart joke comedy, ZACK AND MIRI MAKE A PORNO, he has also been chit-chatting about his long-gestured horror-thriller RED STATE. The good news is that Smith is apparently dying to make the movie, the bad news is that nobody will let him. Inside you can read the latest from an interview over at AICN.
Kevin Smith tells Aint it Cool News:
“I’m still trying to find money for Red State, though, admittedly, I haven’t been looking that hard yet, since it’s not something I’m gonna get to ’til March the earliest. Early prospects, however, look dim. Problem is, the flick is bleak. Beyond bleak, even. Remember how bleak Dark Knight was? This flick makes the bleakness level in that flick seem Beverly Hills Chihuahua bleak. Sadly, while the flick’s bleaker than Dark Knight, it’s also not nearly as good as Dark Knight. Or as commercial. Or commercial at all, really. The commercial prospects for Red State are not good. The only chance it’ll have at the box office would be if it caught a water cooler-kinda buzz out of a film festival. So when you go down the checklist (overtly bleak, unlikeable characters making horrible decisions, unhappy ending in which everyone dies, a director of questionable talent who’s never worked in this genre before), you can see why folks aren’t whipping out their check books.
The question, then, would be “Why bother?” For some reason, I feel like I’ve gotta make this flick. Part of the reason is that I never really feel like a filmmaker most days; more of a writer who gets to direct his own flicks. Trying my hand at another genre that’s 180 degrees away from anything else I’ve ever done might finally answer the question (for me) of whether or not I truly am a filmmaker, or just the guy who makes the dick and fart jokes movies. I suspect it’s the latter. I guess we’ll see. Maybe.“
RED STATE is a horror film in which a group of misfits encounter fundamentalism gone to the extreme in Middle America.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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