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‘Let the Right One In’ Subtitles Debacle
Yesterday evening Icons of Fright posted a story that calls out Magnolia Pictures for their sub-par subtitling of the DVD/Blu-ray release of Let the Right One In. At the site you’ll find side-by-side comparisons to see just how f*cked up it gets. Magnolia’s response? They’ll fix it, but won’t replace it. Personally I don’t care, I like the English dub better (just kidding). Read on for the skinny.
Here’s what Magnolia tells The Digital Bits:
“We’ve been made aware that there are several fans that don’t like the version of the subtitles on the DVD/BR. We had an alternate translation that we went with. Obviously a lot of fans thought we should have stuck with the original theatrical version. We are listening to the fans feedback, and going forward we will be manufacturing the discs with the subtitles from the theatrical version.”
We asked Magnet some follow-up questions, specifically how people will be able to identify the new discs, when they’ll be available in stores and if there will be an exchange program for those who have the existing version. Here’s what they said:
“There are no exchanges. We are going to make an alternate version available however. For those that wish to purchase a version with the theatrical subtitles, it will be called out in the tech specs box at the back/bottom of the package where it will list SUBTITLES: ENGLISH (Theatrical), SPANISH.”
Are you ready to go back?
After a record-breaking box office run and an extended cut re-release, A24 and director Kane Parsons’ Backrooms is heading home to Digital.
Backrooms will be available to rent or buy this Tuesday, July 14.
In the film, Chiwetel Ejiofor stars in Backrooms as the owner of Cap’n Clark’s Ottoman Empire, who discovers a strange doorway in the basement of the furniture showroom. He sets out to explore the mysterious, liminal space, walking headfirst into a creepypasta nightmare.
Renate Reinsve (A Different Man) also stars in Backrooms.
Will Soodik wrote the screenplay.
I wrote in my review, “Backrooms is at once complex and sparse, but never repetitive. It might be set in 1990, but it effectively captures modern anxieties and isolation in a way that frequently makes your skin crawl. While the journey ultimately loses steam by its cryptic end, Parsons’ visual representation of the human psyche disturbs like no other.”
YouTube prodigy Kane Parsons makes his feature directorial debut based on his creepypasta-inspired video series, which debuted in 2022 and has amassed over 190 million views to date.