Movies
Eli Roth Spills His Guts About Horror Future
One of the faces of horror, Eli Roth, has been pretty quiet lately as he’s been off in Berlin filming his scenes for Quentin Tarantino’s Inglorious Basterds. Now that he’s back in the saddle again, the director of Cabin Fever and the Hostel films has finally reveals his plans for the forthcoming year. They include an untitled big-budgeted monster movie and “the sickest, bloodiest, most violent slasher movie,” which is the feature-length version of his Thanksgiving faux trailer from Grindhouse. Read on for the skinny.
“I’m almost done with my new script,” Roth told MTV. “I was actually almost done with it before `Basterds,’ but I had to put it down, and that was actually a good thing I took time away from it, but I’m going to finish that up and start shooting this fall.”
Roth continued to shroud the film in secrecy and the way he’s talking makes me think this isn’t Cotton he’s referring to. “I don’t want to give away the title yet, because I have to make sure I own it 100%, but it’s going to be something that is really fun with lots of mass destruction,” he said. “I wanted to do something along the lines of `Transformers’ or `Cloverfield’ that was a little more science fiction-based, and with lots of chaos and mass destruction.”
“I don’t want to say what [the monster is] yet,” Roth teases to MTV. “Once it gets set up, I will let everyone know. It is not aliens or robots or a virus – it’s a little more grounded. But when people hear it they are going to be like `That is going to be insane!’.”
The big news that was revealed in the interview is that Roth plans to use leftover money from the shoot to finally bring us a feature-length version of THANKSGIVING, the faux trailer used in the GRINDHOUSE film from 2007.
“The plan is this: I want to do a huge budget movie, but tack on three weeks to the end of it and shoot `Thanksgiving’,” he revealed. “I want to do an $80 million dollar movie, and then schedule three weeks at the end to quickly shoot a $5 million dollar movie.”
Roth said that after he shoots his untitled sci-fi blockbuster, he’ll get back to his roots by filming “the sickest, bloodiest, most violent slasher movie,” he said of the “Thanksgiving” flick inspired by the holiday-themed horror classics of the `80s. “I want to make the highest body count slasher film I can.”
Exclusives
‘Home Bodies’ Image & Poster Introduce Isolated Twins in Sci-Fi Nightmare [Fantasia 2026]
Sci-fi thriller Home Bodies is set to unsettle audiences at the 30th edition of Fantasia, and our exclusive image introduces a peculiar pair of twins at the center.
Home Bodies makes its World Premiere tonight, July 23, at 9:30 PM at Cinéma du Musée in Montreal, with the filmmakers and cast in attendance.
An eerie new poster created by Justin Erickson of Phantom City Creative heralds the film’s premiere.
In the film, “Red and Blue, twins raised in total isolation by an automated house, live according to the rules set by Papa, a disembodied voice behind a locked door who provides food, shelter, entertainment, and order. Their carefully controlled world is disrupted by the arrival of Pal, an enigmatic humanoid stranger whose presence begins to fracture the only life the twins have ever known.”
It’s a premise that calls another Canadian creeper to mind and has us intrigued: Pin.
Emma Ho, Ian Ho, and Ess Hödlmoser star.
Home Bodies is directed and produced by Casey Walker, who returns to Fantasia more than a decade after his horror-comedy A Little Bit Zombie screened at the festival in 2012. He’s since gone on to produce a number of defining Canadian genre films like In a Violent Nature, The Void, and Pyewacket.
“I started my career in Montreal and Fantasia has been part of my life ever since,” said Walker. “I couldn’t be more thrilled to return to where it all started and share Home Bodies on such a special anniversary of the festival.“
Karen Harnisch (Infinity Pool, Sleeping Giant) also produces. Executive producers are Todd Brown (The Raid, Mandy) and Chad Archibald (undertone).


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