Exclusives
‘Akira’ Project is Dead as a Doornail
It has been a year and a half since we broke the news exclusively here on B-D – and about a year since THR confirmed (without credit of course) – that Ruairi Robinson would be making his directorial debut on the live-action adaptation of Akira, a massive two-part apocalypse story that was being produced by Leonardo DiCaprio’s Appian Way and Warner Bros. Pictures. Sad news comes in this weekend as we have learned that not only has Robinson left the project, but Tetsuo and Kaneda’s adventure is “dead as a doornail,” a report we’ve confirmed with two separate sources. I can only hope it gets revived in the near future as this could have been one of the coolest effin’ movies ever.
“Akira” originated in 1988 as a manga and then as an animated film co-written and directed by Katsuhiro Otomo. The story was set in a neon-lit futuristic post-nuclear war “New Tokyo” in 2019 where a teen biker gang member is subjected to a government experiment which unleashes his latent powers. The gang’s leader must find a way to stop the ensuing swathe of destruction.
With its mature themes and cutting-edge animation, “Akira” was a milestone movie in anime and even animation circles, and led the way for anime making inroads into Western pop culture in the 1990s.
The new story was to move the action to “New Manhattan,” a city rebuilt by Japanese money and was to hit theaters THIS summer.
“Akira” would have marked the feature directorial debut for Robinson who was nominated for a best animated short Oscar in 2001 for a sci-fi comedy called “Fifty Percent Grey.” He also wrote and directed a sci-fi short titled “The Silent City” (watch it at BDTV), Robinson is repped by CAA and 3 Arts Entertainment.
Exclusives
Shudder’s ‘Hellcat’ Exclusive Trailer Traps an Infected Hostage in a Race Against Time
A gnarly infection threatens to claw its way out of a moving camper in the first trailer for Shudder’s claustrophobic Hellcat.
The feature debut of writer/editor/director Brock Bodell, who previously edited the Fantasia title Ultrasound, makes its debut on Shudder on August 14.
In Hellcat, “Lena wakes up in a moving camper trailer with a horrifying wound. She’s warned by the driver that they have one hour to get to a doctor, or she’ll succumb to an unimaginably awful fate. As the pain sets in and reality begins to fray, who should really be afraid?”
Dakota Gorman (Natural Disasters) leads the cast that also includes Todd Terry (“Breaking Bad”), Liz Atwater (The Other People), Jordan Mullins (The Bikeriders), and James Austin Johnson (“Saturday Night Live”) in a voice role. Bodell also produces alongside Andrew Duensing and Nate Eggert.
Hellcat made its world premiere last summer at Fantasia. I wrote in my review, “Hellcat is a bit of a Trojan horror that defies easy classification, by design. Bodell’s sneaky debut feature is occasionally too sparse in its worldbuilding in its bid to preserve the mystery, but not enough to detract from the thrilling road thriller that transforms into a completely left-field type of horror we don’t get nearly enough of. The stripped-down tribute to a classic horror staple catches you off guard in more ways than one, marking Bodell as one to watch.”
In other words, there’s a lot more than meets the eye to Hellcat‘s simple infection setup, delivering plenty of surprises along its bumpy road of horrors.
Check out the trailer and poster below and add Hellcat to your watchlists asap.


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