Movies
Rob Zombie to Remake ‘The Blob’ (Again)
With his sequel to his Halloween reboot arriving in theaters in less than two hours, it was announced that shock rocker-turned-director Rob Zombie will be getting behind the camera for a remake of The Blob, a project in development now for years. This will be the second time the 1958 horror classic will be remade as Chuck Russell directed his own version in 1988. Read on for the skinny and then talk about it below. How do you feel about Zombie getting behind the camera for The Blob?
Talk about it more on our RZ Blob thread
After reviving the “Halloween” franchise, Rob Zombie will next reinvent “The Blob.”
Zombie will write, direct and produce a remake of the 1958 horror classic that launched the career of Steve McQueen. Production will begin next spring.
Zombie’s deal to make “The Blob” his next film comes as Dimension opens “Halloween II,” the Zombie-directed sequel to his 2007 hit “Halloween.”
In the original “Blob,” an object from space crashes into a field, containing a red blob-like substance that absorbs the humans it contacts and grows exponentially. While Zombie was a fan of the original, he’s formulated a decidedly different take that he would not reveal.
“My intention is not to have a big red blobby thing — that’s the first thing I want to change,” Zombie said. “That gigantic Jello-looking thing might have been scary to audiences in the 1950s, but people would laugh now.”
Zombie will produce with Genre Co.’s Richard Saperstein and Brian Witten; original “Blob” producer Jack H. Harris; and Judith Parker Harris of Worldwide Entertainment Corp.
Saperstein, the former Dimension Films president who developed a relationship with Zombie while they worked on “Halloween,” said that funding is in place to make an R-rated film that will cost around $30 million. The budget model is similar to that of recent fright fare like “Cloverfield” and “District 9,” and they expect to firm a distribution deal before production begins. Genre Co. is in pre-production on the independently financed, Darren Bousman-directed remake “Mother’s Day.”
“I’d been looking to break out of the horror genre, and this really is a science fiction movie about a thing from outer space,” Zombie said. “I intend to make it scary, and the great thing is I have the freedom once again to take it in any crazy direction I want to.”
Zombie has begun writing. He’ll follow the release of “Halloween II” with a new album and tour this fall and get the script done at that time.
Shara Kay and Jeremy Platt will be “Blob” co-producers, and David Mendez is exec producer.
Zombie’s repped by ICM and managed by Spectacle Entertainment’s Andy Gould.
This week’s big new horror release is of course Evil Dead Burn in theaters later in the week, but you don’t have to wait until this weekend to inject fresh nightmares into your eyeballs.
Five brand new horror movies have already released at home this week.
Here’s all the new horror that released on Tuesday, July 7, 2026!
Director André Øvredal’s (The Autopsy of Jane Doe, Scary Stories to Tell in the Dark, The Last Voyage of the Demeter) new movie Passenger is now available on Digital at home.
Here’s the synopsis for Passenger: “A few weeks into their van life adventure, a young couple witnesses a horrific accident that leaves the driver dead. Soon they’re being pursued by a demonic stalker who’s impossible to outrun and follows them wherever they go.”
André Øvredal told Bloody Disgusting in an exclusive chat, “It’s a road movie, which is what I really fell in love with. It’s totally unique for me as a horror movie. Bridging the road movie with a haunting, essentially, on the road. I think it’s the scariest movie I’ve made.”
The cast includes Jacob Scipio, Lou Llobell, Melissa Leo, Tony Doupe, Bonni Dichone, Devielle Johnson, Jessica Cruz, Miles Fowler, and Alan Trong.
The screenplay is written by Zachary Donohue (The Den) and T.W. Burgess (Mister Howl). Former Warner Bros production executive Walter Hamada, who steered the Conjuring and It franchises, is producing via his 18hz as part of his first-look deal with Paramount. It screenwriter Gary Dauberman is also producing via Coin Operated.
Supernatural horror, psychological suspense, and an eye-catching creature take center stage in The Leaching, now available on Digital from Dark Star Pictures and Uncork’d Entertainment.
“After waking up in a grave on her father’s isolated forest property with no idea of who she is or how she got there, Vivian must use her limited memory to piece together the nightmarish truth, all the while being tormented by the undead, a giant leech monster, and her ‘father.’
“Over the next few days, she will uncover the framework of a truly nefarious supernatural scheme, but will it be too late?”
The Leaching is written and directed by Evan Showalter (Ante Mortem, Bad Music Terry).
“The Leaching is an exploration of faith, the loss of self, and the monsters (literally) that emerge when people surrender themselves to something greater than they can understand,” says Showalter. “It’s an isolating horror film that plays with a very uncomfortable question.”
A film student finds herself trapped in a giallo nightmare in lo-fi horror movie City Wide Fever, which is now streaming exclusively on the Midnight Pulp streaming service.
The meta horror movie is from debut writer/director Josh Heaps.
In City Wide Fever, “Sam, a young film student, discovers a USB detailing the life and career of forgotten Italian horror director Saturnino Barresi.
“As she begins to investigate his mysterious disappearance, Sam finds herself pulled into a violent conspiracy eerily similar to those of the films she adores.”
Diletta Guglielmi, Angelica Kim, and Nancy Kimball star with Onur Tukel (Summer of Blood), Larry Fessenden (You’re Next), Carolyn Farina, and comedian Ian Fidance.
Paul Lê wrote in his review for Bloody Disgusting, “This isn’t just a case of throwback filmmaking that’s been achieved with contemporary technology; the director used era-authentic equipment to help create this striking and nostalgic piece of modern horror. The end result is a movie… teeming with enough verve and style to make it feel fresh.”
A Gen Z slasher that pays homage to ’90s teen slasher movies, You’re Dead to Me is now available on Digital outlets at home courtesy of distributor Dark Star Pictures.
In the slasher film, “Three high school seniors skip prom for a secluded weekend party free from parents, school, and responsibility, but their escape turns terrifying when they learn one of their classmates has been brutally murdered.”
Denise Richards (Valentine) stars alongside Siena Agudong (Sidelined: The QB and Me, Sidelined 2: Intercepted), Jessica Belkin (“Baywatch” ), Ella Anderson (“Henry Danger,” Song Sung Blue), and Conor Husting (“Boo, Bitch”, Hollywood Stargirl).
The film was directed by Juan Pablo Arias Munoz.
You’re Dead to Me was co-written by Sarah Howard and Terry Castle, the daughter of the legendary producer and filmmaker William Castle (House on Haunted Hill, The Tingler).
Steven Quale (Into the Storm, Final Destination 5) directed the supernatural thriller Black Box, which has now taken flight on Digital outlets courtesy of Aura Entertainment.
The film is based on the short film The Vessel, and an original screenplay from horror writer Stephen Susco (The Grudge, The Grudge 2, Texas Chainsaw 3D, Hell Fest).
Black Box (Flight 298) follows the supernatural events surrounding Vero Airlines 298 from New Orleans to Seattle.
Tom Brittney, Holly Leena White, Betsy Blue English, Dane Whyte O’Hara, Kaja Chan, Asa Ali, Boadicea Ricketts, Ceallach Spellman, Georgina Leonidas, Molly Belle Wright, Hanneke Talbot, Danny Mack, and Weronika Rosati star in Black Box.
Hammerstone Studios’ Alex Lebovici (Barbarian, Boy Kills World) and Jon Oakes (Drive, The Guilty) will produce alongside Capstone’s Christian Mercuri and David Haring (Bill & Ted Face the Music), Warren Zide (The Final Destination, American Pie), and Susco. Ruzanna Kegeyan and Roman Viaris of Capstone, and Clark Baker (Vessel) will executive produce.
What happened to Flight 298? Find out on Digital outlets now.
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