Movies
TV: ‘Walking Dead’ Creator Robert Kirkman Talks TV Adaptation
Last month is was finally announced that the brilliant Frank Darabont (“The Shawshank Redemption,” “The Mist”) would be sinking his teeth into “The Walking Dead,” Robert Kirkman’s long-running comic book series about life after the zombie invasion. It was revealed that Kirkman’s tale would unfold on television thanks to AMC. Immediately some concern flared up that there wouldn’t be any gore, but Kirkman believes otherwise. Check out a recent interview with him from MTV.
“When I heard that Darabont was interested in doing it a long, long time ago, I was just ecstatic. For me, “The Walking Dead” is not necessarily a horror thing. It’s not all about the shocks. It’s about characters and all of that dramatic nonsense. And Darabont does that better than anybody,” Kirkman tells MTV. “I’m excited that there is a television show, and I’m excited that Darabont is involved–and one of the big reasons for that is that I trust him. I don’t need to look over his shoulder.” He continues, “Frank understands the material 100 percent. It’s always been shocking to me, doing Hollywood meetings over the years, just how easy it is for someone to come in to the meeting and say something like, “We want the zombies to have super powers.” Knowing that, I’m really excited about it, because from my discussions with Frank, he likes the right things about “Walking Dead.””
Answering many questions from rabid fans, Kirkman reveals that he’d like Drabont to bring his own elements to the story. “I’ve told Frank flat-out that I do not want him to follow the comic to the detriment of the show. I encourage him to veer off if he has something that will work really well on TV that wouldn’t work in a comic. I don’t want people who enjoy the comic to be watching the TV show and going, “Oh, this is leading to that one thing I already know about from the comic.”
More importantly is the blood and guts of the series, which Kirman feels will still have an impact in the TV series. “I had no concerns about that whatsoever, because one of the concerns I have about zombie fiction is when they rely too much on the shocking gore aspects. That’s not really the point of “Walking Dead,” so to a certain extant, I think it will work better at AMC–because it forces people not to rely on that stuff.”
Click the link below for the entire interview.
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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