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A Fiery Death for Race of ‘Rubber’
One of the most talked about films out of Cannes is Magnet Releasing’s newly acquired Rubber (first announced here on BD), a cult hit at Cannes Critic’s Week that tells the unlikely story of a murderous tire (yes, a tire) with terrifying telepathic powers. Directed by Quentin Dupieux, Rubber is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to wreak havoc on small desert creatures and various lost items, his attention soon turns to humans, resulting in the most gory vehicular-related mayhem inflicted on screen by an “inanimate” object since Christine. Today a second clip was posted online and features the death of a whole bunch o’ rubber.
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Brazilian Werewolf Fable ‘Good Manners’ Finally Gets Physical Media Release
One of contemporary horror’s best werewolf movies is 2017’s Good Manners, and it’s finally set to receive a proper physical media release.
Icarus Films is partnering with OCN Distribution to unleash a new Blu-ray that’s now available to preorder via Vinegar Syndrome. and with a limited edition slipcover.
Set in São Paulo, the film follows Clara, a lonely nurse from the outskirts of the city who is hired by mysterious and wealthy Ana to be the nanny of her soon to be born child. Against all odds, the two women develop a strong bond. But a fateful night marked by a full moon changes their plans.
Good Manners is the second collaboration between filmmakers Juliana Rojas and Marco Dutra, who write and direct. Zama’s Rui Poças‘ cinematography captures this unique werewolf tale described as “Disney meets Jacques Tourneur.”
Our own Trace Thurman wrote in his review, “With Good Manners, Rojas and Dutro have made one of the best werewolf movies ever made. That they are able juggle commentaries on racism and classism while still managing to tell two deeply affecting love stories is remarkable.”
BONUS FEATURES:
- Commentary from film critics Shelagh Rowan-Legg and Carolyn Mauricette
- 12-page booklet with an essay by film critic Nicolas Pedrero-Setzer
- Making-of short film: The Making of a Werewolf (2 mins)
- Two additional short films from the filmmakers: A STEM (15 mins), directed by Juliana Rojas & Marco Dutras, and DOPPELGANGER (24 mins), directed by Juliana Rojas



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